“Ah, but to feel it as I do, you must have lived through it.” Mr.
Flippance rose in his emotion and paced animatedly. “You must have had a
hornets’ nest for your seat and a brood of vipers in your bosom, and
shared diggings with the Furies. Oh, my radiant juvenile, your
sun-coloured hair would have been snow if you had gone through what I
have! If you’d had Ophelia in hysterics and Hamlet in liquor and even
the ghost hardly able to walk, and the call-boy crying the curtain was
up, and the audience stamping and whistling, and short-tempered people
at the box-office demanding their money back, you’d be able to measure
the feeling of thankfulness that comes over the cockles of my heart when
I stand in my theatre and see my leading lady sitting so angelic on her
wires unable to move hand or foot without me, or when I jerk my leading
man out of the centre of the stage all in a heavenly calm; And to see
the curtain come up and down with nobody scuffling behind it to bob and
smirk—oh, the Jerusalem restfulness! There mayn’t be as much rhino in
marionettes as in flesh and blood——”
“You just said there was more,” Will reminded him, unkindly.
“I meant compared with the capital put in,” said Tony, without turning a
hair. “You don’t risk much when you don’t have to pay your actors. But
Duke wasn’t mercenary, and it was the glory that appealed to him, poor
man. He’d inherited the business, like me, but he’d always been
ambitious after high art, he told me, and Flippance’s Fit-Up was his
boyhood’s dream. We did the swop over mulled claret last Christmas Eve
in this very inn. Peace and goodwill, thinks I, as we clinked tumblers
on the deal. You’ve got the goodwill, but peace, no, that you’ll never
see again.”
Will smiled. “I’ll really have to come and see those blessèd puppets,”
he said, as the Showman replenished the glasses.
Tony replied that he should see the whole boiling of them either before
or after the show, neatly packed in their big box. “And if there’s any
you’d like to kick, you’re welcome,” he said.
“What! Damage your property?”
“It would work off my bitter memories.”
“But they’re not the real live actors.”
Public-domain text, read in full here on John Shaqi.
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