Beautiful enough the backwoods, he laboured to explain, where man’s
fight with the forest was only begun, where great beeches and maples,
and wild flowers still possessed the black mould the settler was to lay
bare for wheat; where his pioneer hut was circled by a green gloom, and
the chink of his cow-bells or the laughter of his children alone vied
with the ring of the axe and the thunderous fall of the giants. But
later on—“it’s like that plover’s egg you opened once,” he burst forth
with a sudden inspiration. “No longer an egg, not yet a bird; only a
smell!”
“But it was you who gave it me,” laughed Jinny. There was a great
content at her heart, sitting here and seeing her little world open out
in forests and seas and emotions still stranger. And he—he for the
first time enjoyed the society of woman as spiritual counterpart, had
moments in which he forgot Jinny was pretty, in which her hand—now
unconsciously nestling in his in her absorption in his narration—was
felt as a friendly rather than as a physical glow. Unfortunately in this
sense of a sympathetic Jinny lay the serpentine temptation which
shattered their paradise. For, beguiled by her apparent subjugation, he
went on to improve the occasion. “And it’s just the same with women who
are neither women nor men. A woman’s place is the home.”
The slipping of Jinny’s hand out of his was the first sign that he had
roused her to reality. Her cry, “How late it is!” was the next. And she
looked at the sunset glowing in glamorous gold through the trees. There
was a magic peace in the air, and a rare thrush sang as in a dream. It
seemed a tragedy to move.
Will protested vehemently. “It’s not late at all. You were unusually
early this afternoon. No, don’t go—you’ll wake up poor Nip.”
“Did your story send him to sleep? Rude dog! But I must go—a woman’s
place is the home!” She got up, smiling, with the snoring dog in her
arms, but her mockery was friendly enough: the intimate atmosphere could
not be dissipated at a jerk. He was constrained to follow her, if only
to precede her through that jungly path: the prospect of driving home
with her still shone rosy.
“By the way,” he said lightly, “I’ve been talking with Mr. Flippance
about getting that horse for him.”
“What!” She stopped and turned on him, her eyes blazing.
“His last animal was faked,” he explained mildly. “He was badly taken
in, and you can’t know all the tricks of the trade as well as a man.”
“And isn’t Mr. Flippance a man?”
“Yes, of course. But—but——”
“It all depends on which man, you see—and which woman.”
“But I’m sure no woman knows properly about horses,” he said. “How would
you tell the age, for instance?”
“By the teeth, of course.”
“Which teeth?”
Jinny flushed. She really did not know, and that made her only angrier:
“If I wanted your help in my affairs, I should have asked you.”
“Well, there’s nothing to be mad about.”
Public-domain text, read in full here on John Shaqi.
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