“Oh!” Jinny was seriously shocked, and Mr. Flippance, realizing that her
conscience was as “country” as her vocabulary, had the shrewdness to say
he was only joking. “Besides,” he added, “she’s sure not to be at home
in the morning.”
“Why not?”
“Because she won’t have her hair on.”
“But how could she go out then without it?”
Tony made as if to pinch her cheek, as if nothing else could adequately
express his acute sense of her simplicity, but she guarded deftly with
the horn; rapping him, indeed, on the knuckles with it.
“Why, Jinny, you hurt me,” he said ruefully.
“Well, remember I’m not a marionette.”
“You’re certainly not a woman of the world. The Duchess wouldn’t let us
in, I mean, but that’s just what we want, provided we can get Duke to
exit.”
In another minute or two she drove him up to the back of “The Learned
Pig,” and alighting, they picked their way through the undulating and
muddy enclosure, grass-grown, and strewn with logs, where the caravan
was stationed. There was really a pig there (duly styed in his very
dirty academy), besides pecking poultry and pathetic rabbit-hutches
agleam with eager sniffing noses, and a flutter of washing, and two
shabby traps, holding up their shafts like beggars’ arms. But the
caravan itself illumined the untidy space with its gay green paint, its
high yellow wheels, its spick-and-span air, culminating in the lace
curtain of its tiny arched window. Mr. Flippance dragged his slippers up
the step-ladder, and Jinny, having by this time gathered what an
arbitrator was, followed in his wake, prepared to undertake this or any
other job.
But the Duchess did let them in—more, she opened the door herself,
looking indeed too lovely for anything but a doll, and suggesting by her
rising and falling eyelids, her smiling lips, and her mobile hands that
she was equipped with all the most expensive devices.
Duke, habited in an old-fashioned blue coat with brass buttons, was
discovered poring at a desk over a long, narrow account book: he was an
elderly and melancholy young man, with bristly black-and-white hair and
small pig-eyes set close together. The stamp of aspiration and defeat
was set pathetically upon the sallow face he turned over his shoulder to
his visitors.
Public-domain text, read in full here on John Shaqi.
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