Polly, it soon transpired, was come to the midday dinner with her
friend, and the dinner itself was coming in presently from “The Learned
Pig.” The real purpose of the invitation was, it transpired equally,
that Polly might explain to the Duchess the reading of a part alleged to
be confused in the manuscript acquired with the Flippance Fit-Up: she
was obviously fishing for tips. While these things were transpiring,
poor Flippance in his fur was perspiring. Gradually Jinny saw a rift
appearing in the bed-panels and widening to a cautious chasm of a few
inches. It made her feel choky herself, especially as the caravan’s
little window was closed. She signed apprehensively to Mr. Duke, who,
however, was already revolving feverishly how to clear the stage for
himself and his fellow-negotiator. And presently he broke into the
feminine dialogue with, “I’m sure, dearest, Polly wouldn’t mind acting
that bit for you. But there ain’t room for Polly’s genius here—she’d be
breaking up the happy home! Hadn’t you better go into the inn-parlour,
Bianca? There’ll be nobody there yet.”
The Duchess might have lacked talent, but she had not played in farces
without learning how to behave in them: so without even needing a wink
from her spouse, she made a kindly exit behind Polly, not, however,
without turning back a grinning doll’s head at Mr. Flippance’s beaded
countenance emerging gaspingly from his berth. But Jinny, who had
already witnessed comedy and farce, was now more conscious of the
tragedy of the situation than of its humours, as she saw the Duchess
tripping down the ladder, with silken stockings revealed by the raised
skirt. It seemed to Jinny that the poor lady was tripping thus blithely
to her dark doom, behind the scenes of the puppet show; that her blue
eyes and golden hair had flaunted their last upon the stage. And the
irony of her grinning exit was accented by the manuscript in her hand:
she was going off to study a part she would nevermore play. It all gave
Jinny a sense of the Duchess being herself a puppet, with an ironic fate
pulling the strings, and she was frightened by a thought hitherto beyond
the reach of her soul; by a dim feeling that perhaps she too—and
everybody else—was similarly mocked. Who was perpetually jerking her
towards that young man, and then jerking her back? What force was always
putting into her mouth words of fleer and flout, and pulling away the
hand she yearned to lay in his?
“Whew!” exclaimed Mr. Anthony Flippance, as Jinny shut the door safely
on the Duchess—for that lady never shut doors, partly because the
process interfered with the sweep of one’s exit, partly because what
concerned a scene from which she was absent never entered her golden
head.
Public-domain text, read in full here on John Shaqi.
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