And London itself was talking of it no less: for once London was staggered. And if London was thus shaken, how much more the provinces and the world at large? Did not indeed the flags of all nations wave over the great glass building, whose mere material would have been enough to set the globe agog, even if it had not contained contributions from every corner of civilization except Germany, which in that antediluvian age figured in the catalogue only as “The States of the Zollverein.” What wonder if with all the excursions and alarums and millennial visions that attended its birth, the Press reeking with paragraphs, poems, discussions, wrangles, skits, prophecies, and forebodings, crowds equal to the population of provincial towns gathered at the Park to watch it rise, and to stare at the endlessly inrolling vans and the sappers and miners at work in their uniforms. One M.P.—military and moustachio’d—won the immortality of the comic prints by fulminating against the invasion of Freethinking foreigners who would pillage London and ruin the honour of British womanhood: more sober minds feared the Chartist mobs and the Red Republicans: even the Catholics, already flaunting their cardinals and ringing their unhallowed church bells, would profit by the Continental wave. The House of Lords resounded with protests and petitions against the profanation of the Park, and apprehensions as to the fate of the building erected therein were equally rife: the great glass roof would be splintered by hailstones, the walls would be overturned by the wind, the galleries would collapse under the swarming multitudes, and Anarchism would seize its opportunity amid the dismantled treasures of the globe. But one unfailing factor was on the Exhibition’s side: the scheme was attacked by the _Times_. And so Paxton’s building rose steadily till the great day when through an avenue of three-quarters of a million spectators the Queen and “that Queen’s indefatigable husband”—as a panegyrist of the period put it—drove to declare it open to the elect thirty thousand who had already found it so, while through glittering nave and transept, with their fountains, trees, flowers, and statues, the “Hallelujah Chorus” thundered from a thousand voices, two hundred orchestral instruments, and a dozen giant organs; and the millennial hope welled up in a grand climax of universal emotion. And hoary grandsires should hereafter tell—proclaimed the poet of the Great Catalogue—what in this famous century befell: grey Time should chronicle the victories gained, since Mercy o’er the world and Justice reigned: _What time the Crystal Hall sent forth her dove_ _And signed the League of Universal Love._