East Anglia (England) -- Fiction; Man-woman relationships -- Fiction
Mrs. Gillingwater was not a person much troubled by imaginative fears, but the
aspect of Moor House as she approached it on that November evening affected her
nerves, rudimentary as they were. The day had been very stormy, and angry rays
from the setting sun shone through gaps in the line of naked firs behind the
house, and were reflected from the broken sky above on to the surface of the
meres and of the sea beyond them. The air was full of the voices of wind and
storm, the gale groaned and shrieked among the branches of the ancient trees;
from the beach a mile away came the sound of the hiss of the surge and of the
dull boom of breakers, while overhead a flock of curlews appeared and
disappeared as they passed from sunbeam into shadow and from shadow into
sunbeam, till they faded among the uncertain lights of the distance, whence the
echo of their unhappy cries still floated to the listener’s ear. The
front of the house was sunk in gloom, but there was still light enough to
enable Mrs. Gillingwater, standing by the gate of what in other times had been
a little pleasure garden, but was now a wilderness overrun with sea grasses, to
note its desolate aspect, and even the iron bars that secured the windows of
the rooms where once the madman was confined. Nobody could be seen moving about
the place, and she observed no lamp in the sitting-room.
“I hope those brutes of dogs are tied up, for I expect _he’s_
out,” Mrs. Gillingwater said to herself; “he’s fond of
sneaking about alone in weather like this.”
As the thought passed through her mind, she chanced to glance to her left,
where some twenty paces from her, and beyond the intercepting bulk of the
building, a red sunbeam pierced the shadows like a sword. There in the centre
of this sunbeam stood Samuel Rock himself. He was wrapped in his long dark
cloak that fell to the knees, but his hat lay on the ground beside him, and his
upturned face was set towards the dying sun in such a fashion that the vivid
light struck full upon it, showing every line of his clear-cut features, every
hair of the long beard that hung from the square protruding chin, and even the
motion of his thin lips, and of the white hands that he moved ceaselessly, as
though he were washing them in the blood-red light.
There was something so curious about his aspect that Mrs. Gillingwater started.
“Now what’s he a-doing there?” she wondered: “bless me
if I know, unless he’s saying prayers to his master the devil. I never
did see a man go on like that before, drunk or sober; he gives me the creeps,
the beast. Look, there he goes sneaking along the wall of the house, for all
the world like a great black snake wriggling to its hole. Well, he’s in
now, so here’s after him, for his money is as good as anybody
else’s, and I must have it.”
In another half-minute she was knocking at the door, which was opened by Samuel.
“Who’s that?” he said. “I don’t want no visitors
at this time of day.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account