"By the pleasure of our Blessed Creator," he wrote, "such grace has come
to pass that she whom they call the Maid has been taken. The great news
of this capture should be spread everywhere and brought to the knowledge
of all, that they may see the error of those who could believe and lend
themselves to the pretensions of such a woman. We write this in the hope
of giving you joy, comfort, and consolation, and that you may thank God
our Creator."
Over France the tidings spread. From lip to lip it flew: the Maid was
taken. Paris rejoiced, showing its delight by building bonfires and
singing Te Deums in the Cathedral of Notre Dame. In the loyal cities and
in the hearts of the peasantry there was mourning. At Tours the entire
population appeared in the streets with bare feet, singing the Miserere
in penance and affliction. Orléans and Blois made public prayers for her
safety, and Reims had to be especially soothed by its Archbishop.
"She would not take counsel," wrote Regnault de Chartres, Archbishop of
Reims, who had always been an enemy to Jeanne, "but did everything
according to her own will. But there has lately come to the King a young
shepherd boy who says neither more nor less than Jeanne the Maid. He is
commanded by God to go to the King, and defeat the English and
Burgundians. He says that God suffered her to be taken because she was
puffed up with pride, loved fine clothes, and preferred her own pleasure
to any guidance."
The archbishop's letter silenced Reims and other cities. Silenced their
outcries, that is, for they continued to send petitions to the King
pleading that he would gather the money for her ransom, but he did
nothing. Another Archbishop, Jacques Gélu, of Embrun, who had written
Charles in favor of Jeanne after Orléans now addressed some bold words to
the monarch on her behalf:
"For the recovery of this girl, and for the ransom of her life, I bid you
spare neither means nor money, howsoever great the price, unless you
would incur the indelible shame of most disgraceful ingratitude."
Public-domain text, read in full here on John Shaqi.
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