At a word from _David_, the stage-hands vanished, and at his nod Joan
moved on. _David_ seated himself and opened a newspaper while the girl,
trembling, took up a position near a property fireplace, with an
after-dinner coffee-cup and saucer in her hands. She was looking her
best in the evening frock purchased for the week-end at Tanglewood, and
was in full command of her lines and business; but there was a lump in
her throat and a sickly sensation in the pit of her stomach as the cheap
orchestra took up the refrain of a time-worn melody which had been
pressed into service as curtain music.
Peering over the edge of his newspaper, _David_ spoke final words of
kindly counsel: "Don't you mind, whatever happens. Make believe they
ain't no audience."
The house was quiet, now, and the music very clear.
Kneeling within the recess of the fireplace, almost near enough to touch
her hand, Quard begged plaintively: "For the love of Gawd, don't let
their kidding queer you, girlie. Remember, Boskerk promised he'd have
Martin Beck out front!"
Joan nodded--gulped.
The curtain rose. Through the glare of footlights the auditorium was
vaguely revealed, a vast and gloomy amphitheatre dotted with an
infinite, orderly multitude of round pink spots, and still with the hush
of expectancy. Joan thought of a dotted lavender foulard she had
recently coveted in a department-store; and the ridiculous incongruity
of this comparison in some measure restored her assurance. Turning her
head slowly, she looked at _David_, who was properly intent on his
newspaper, smiled, and parted her lips to speak the opening line.
From the gallery floated a shrill, boyish squeal:
"_Gee! pipe the pippin!_"
The audience rocked and roared. Joan's heart sank; then, suddenly,
resentment kindled her temper; she grew coldly, furiously angry, and
forgot entirely to be afraid of that stupid, bawling beast, the public.
But her faint, charming smile never varied a fraction. Turning, she
spoke the first line, heedless of the uproar; and as if magically it was
stilled. A feeling of contempt and superiority further encouraged her.
She repeated the words, which were of no special value to the
plot--merely a trick of construction to postpone the ringing of a
telephone-bell long enough to let the audience grasp the relationship of
those upon the stage.
In a respectful silence, _David_ looked up from the newspaper and
replied. The telephone-bell rang. Turning to the instrument on the table
beside him, he lifted the receiver to his ear and--the plot began to
unfold.
Public-domain text, read in full here on John Shaqi.
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