She was genuinely sorry. Her first impulse was to seek Matthias, if he
were in town, and tell him of her sympathy; her second (discarded with
even less ceremony than the first) to write to him. Two things held her
back: sheer moral cowardice, that would not let her face the man whom
she had failed even as had his play; and the impossibility of explaining
that she loved the stage more than him or anything else in the
world--except his ring. And while she never faltered from meaning to
return this last "before long," she could not yet bring herself to part
with it. Always it was with her, on her finger when at home and alone,
in her pocket-book when abroad or with Quard; still in her imagination
retaining something of its vaguely talismanic virtue; standing to her
for something fanciful and magic, which she could not name, a visible
token of the mystical powers that worked for her good fortune....
It was mid-October: sweetest of all seasons in New York; a time of early
evenings and long, clear gloamings beneath skies of exquisite suavity
and depth; of crisp and heady days whose air is wine in a crystal
chalice; when thoughts are long and sweet, gentle with the beauty and
the sadness of aging autumn.
At the first hint of winter Joan's heart turned in longing to the
thought of furs. She wasted hours studying advertisements, and many more
going from place to place, examining, rejecting, coveting. Her fancy was
not modest: a year ago she would have been delighted with the meanest
strip of squirrel for a neckpiece; today she felt a little ashamed even
to price the less expensive furs, and would make no attempt to purchase
until she had saved up enough money to meet her desires.
And then, one morning--they were playing at the Orpheum Theatre in
Brooklyn--a messenger brought her a package from one of the Fulton
Street stores and required a signed receipt. It contained a handsome
coat of imitation seal with a collar of rich black fur and lined with
golden brocade. Fitting her perfectly, it enclosed her in generous
warmth from throat to ankle. Accompanying it was the card of "_Mr.
Charles Harborough Quard, Presenting 'The Lie,' the Sketch Sensation of
the Year, Address c/o Jas. K. Boskerk, St. James Building, N.Y._"
Not since that day when she had received his ring from Matthias had she
been so happy.
Meeting Quard in the gangway outside her dressing-room, before the
matinée performance, she showed her gratitude by lifting her face for
his kiss.
In the world in which they existed, kisses were commonplaces, quite
perfunctory, of little more significance than a slap on the shoulder
between acquaintances. Not so Joan's: she had set a value upon her
caresses, a standard peculiarly inflexible with respect to Quard. None
the less, this was not the second time he had known her lips. But the
occasion was one rare enough to render him appreciative.
He wound an arm round her, and held her tight.
"Like it, eh, girlie?"
"I love it!"
"Then I'm satisfied."
Public-domain text, read in full here on John Shaqi.
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