Another thing that surprised the girl more than a little was the
docility with which her associates submitted to his dictation and even
invited it. She had heard of actors "creating" rôles; but in this
company no one but the producer seemed to be creating anything. The
others came to rehearsals with minds so open that they seemed vacuous;
not one, whether the star, his leading woman, or any of their supporting
players, indicated the least comprehension of what they were required to
portray or the slightest symptom of original conception. What Wilbrow
told them and then showed them how to do, they performed with varying
degrees of success. So that Joan at last came to believe the best actors
those most susceptible to domination, least capable of independent
thought. As he gradually became acquainted with his lines and the
business Wilbrow mapped out for him, the star began to give more
compelling impersonations at each rehearsal; but to the girl he never
seemed more than a carbon filament of a man, burning bright with
incandescence only when impregnated with the fluid genius of a superior
mentality. So, likewise, with the leading woman....
As for herself, Joan was hardly happy in her endeavour to please. Having
unwisely formed her own premature conception of her part, and lacking
totally the technical ability to express it, she ran constantly afoul of
Wilbrow's notions. She was called upon first to erase her own
personality, next to forget the personality which she had meant to
delineate, and finally to substitute for both these one which Wilbrow
alone seemed able to see and understand. She strove patiently and
without complaint, but in a stupefying welter of confusion. While on the
pretended stage she was constantly terrified by Wilbrow's mild but
predominant regard, which rendered her only awkward, witless, and
ill-at-ease. Then, too, her attempts to imitate his brilliant and
colourful acting were received with amusement, not always wholly silent,
by the rest of the company. She seemed quite unable to follow his lead;
and toward the end of the first week, throughout the whole of which (she
was aware from the calm resignation of Wilbrow's attitude) she had
improved not one whit, she began to despair.
Inasmuch as she appeared only in the first act, she was customarily
excused from attendance at the rest of each rehearsal, and spent this
extra time at home, over her typewriter; thus maintaining the fiction of
earning her weekly stipend.
Public-domain text, read in full here on John Shaqi.
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