"Other treasures," Gert said. "Could you move it over there by those
books? Good. Just cover it with the same sheet. Thank you." Patrick
made ten trips to the shed, feeling better with each trip. Entering the
attic was like going back in time; emerging in the sunlight and walking
across the lawn was a return to the present, a promise of future.
"I'll cut the grass before it gets hot," he said.
"Now Patrick, I want you to keep track of your time."
"No need, Gert. I mean--if you wanted me to paint the house or
something, that would be different." He liked Gert, but he didn't want
to be on call.
"Very well, Patrick. Perhaps you'll take a glass of lemonade." She
often seemed amused by him.
"I will," he said.
He took a nap in the afternoon and walked into town refreshed and
hungry. The Depresso was mostly empty. He ordered vegetarian chili,
cornbread, and a Heineken. "Thanks, Eve." She smiled enigmatically, her
mind elsewhere. She, too, was from Michigan, like Sue and Claude, an
odd coincidence. Patrick had never been in Michigan, but he imagined
deep woods. Eve swayed like a tall pine as she walked.
She was older than Willow. She had three children. Patrick had seen one
in her arms and the others swarming up her legs, outside on the patio.
She seemed to pace herself--energy for the kids, energy for the
customers--somehow remaining beautiful and ready for more. Ready for a
different life, maybe. Usually, Patrick couldn't take his eyes from her
long strong body, but tonight he saw her more completely, a woman who
had to work too hard.
Dylan came out of the kitchen and began to play a low and rolling
melody. Patrick felt an equality between them. Dylan played the melody
over and over with simple variations, searching for something. Hunting.
In the charged space between Dylan's music and Eve's beauty, Patrick
thought about significant digits. Joe Burke was on to something. The
rubber met the road at significant digits. Mathematics met reality.
Accuracy, significant accuracy, was limited to the precision of the
worst measurement involved. It didn't matter that you could calculate
an equation to any number of decimal places. The answer couldn't be
more accurate than the wobble, the plus or minus, in the coarsest
measurement. To not understand this was to think that mathematics was
reality. Mathematics was a tool. Physical relationships that were
measurable could be expressed in equations, but the equations were
models, not reality. You had to keep the distinction in mind or you
would think you knew things more precisely than you did.
Dylan disappeared into the kitchen, and Patrick ordered another beer.
Models. The word expanded in his mind. Models. Sue was a model. Amber
was a model. Equations were models. Mrs. Van Slyke had been a model. Of
what? Herself? Hendrik's lover? Women in general? It was really the
painting that was the model. Mrs. Van Slyke had modeled for the model.
Patrick's mind began to spin.
Public-domain text, read in full here on John Shaqi.
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