Joe Leslie's Wife; or, a Skeleton in the ClosetRobertson, Alexander, M.D.
General
Joe Leslie's Wife; or, a Skeleton in the Closet
Robertson, Alexander, M.D.
Detective and mystery stories; Husband and wife -- Fiction; New York (N.Y.) -- Fiction
He noticed that there was some little secret among a number of those
present—Lillian, all blushes and confusion, was being consulted by an old
gentleman with a white beard.
Although Eric had declared he was almost famished he would not leave the
rooms now for supper—something was on the _tapis_, and he was bound to
see it out.
Supper could wait.
Ah! it came at last.
The elderly gentleman rapped on a table. Silence ensued.
All eyes were bent on him, all but those of Joe Leslie, and his blazing
orbs rested on the blushing face of Lillian—before he learned all he
wanted to prove that he no longer entertained the slightest suspicion
regarding her.
“Friends, we have spent a very pleasant evening at the house of our
neighbor—we all cherish Joe Leslie and his charming wife as among those
whose names will never leave the tablets of our memory—a devoted couple,
loving, kind and gentle, whom it is an honor to know.
“Before we part to-night, it is my pleasure to officiate at a little
surprise—I am going to let our friend Leslie see himself as others see
him—in brief, I shall introduce him to himself.
“My grandchild Barbara and Mrs. Leslie have always possessed an artistic
temperament. They consulted with me about it, and I took some of their
amateur work to a friend who is a well-known artist.
“The upshot of it all is that for a month past Barbara has been flitting
over here at ten o’clock every morning through the gate we have in our
back fence, and the two have been taking lessons in painting with
astonishing success.
“This evening I was astonished to find a fine oil painting of myself,
true to nature, on my drawing-room wall—I had not dreamed my grandchild
was so gifted.
“And now for our fair Lillian’s birthday gift to her husband—bring them
forth, friends.”
Out from the mysterious closet came two gold-framed paintings—they were
placed on easels prepared for them, in front of the astonished Joe.
The faces were those of himself and his wife, astonishingly well done.
He hardly glanced at his own, but his eyes were glued upon the
counterfeit resemblance of his dear wife—done by her hand too.
Eric was amazed.
He looked from the painting to the original—the work was no amateurish
daub, but worthy of a master.
Could it be possible she had painted it? She was a genius.
At first delighted expressions arose, and then, as the old gentleman
raised his hand, these died away again.
All eyes were turned upon Joe.
He stood there as if petrified—his eyes were glued upon the picture of
his wife, and he hardly seemed to breathe.
Then he slowly turned his gaze upon the same face in flesh and blood.
She looked at him, still blushing—tears were in her sweet eyes—she smiled
through them.
Joe forgot where he was—he only remembered that he had wronged that dear
little woman by harboring thoughts that reflected on her love and purity
of heart.
Public-domain text, read in full here on John Shaqi.
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