"It won't be much fun taking down the tent after the show to-night,"
said Joe.
"Perhaps you won't have to," stated the ring-master. "I may be able to
hire men to take the strikers' places before then."
"But if you can't, we'll help out," declared the young trapeze
performer, though he knew it would be anything but pleasant for himself
and the others, after high-tension work before a big audience, to
handle heavy canvas and ropes in the dark.
The public seemed to take good-naturedly to the circus, not being
over-critical of the lack of the usual big street parade. And men,
women and children came in throngs to the afternoon performance.
The circus people fairly outdid themselves to give a good show, and Joe
worked up a little novelty in one of his "lone" acts.
He gave an exhibition of rope-climbing, Jim Tracy introducing the act
with a few remarks about the value of every one's knowing how to ascend
or descend a rope when, thereby, one's life might some time be saved.
"Professor Strong will now entertain you," announced the ring-master,
"and tell you something about rope-work."
Joe had hardly bargained for this, but his work as a magician, when he
often had the stage to himself and had to address a crowded theatre,
stood him in good stead. He was very self-confident, and he
illustrated the way a beginner should learn to climb a rope.
"Don't try to go up hand over hand at first," Joe said. "And don't
climb away up to the top unless you're sure you know how to come down.
You may get so exhausted that you'll slip, and burn your hands
severely, for the friction of rapidly sliding down a rope will cause
bad burns."
Joe showed how to begin by holding the rope between the soles of the
feet, letting them take the weight instead of the hands and arms. He
went up and down this way, and then went up by lifting himself by his
hands alone, coming down the same way--which is much harder than it
looks.
Joe also illustrated the "stirrup hold," which may be used in ascending
or descending a rope, to get a rest. The rope is held between the
thighs, the hands grasping it lightly, and while a turn of the rope
passes under the sole of the left foot and over the toes of the same,
the right foot is placed on top, pressing down the rope which passes
over the left foot. In this way the rope is held from slipping, and
the entire weight of the body can rest on the side of the left leg,
which is in a sort of rope loop. Thus the arms are relieved.
Joe showed other holds, and also how to sit on a rope that dangled from
the top of the tent. Half way up he held the rope between his thighs,
and made a loop, which he threw over his left shoulder. Then, by
pressing his chin down on the rope, it was held between chin and
shoulder so that it could not slip. Grasping the rope with both hands
above his head, Joe was thus suspended in a sitting position, almost as
easily as in a chair. The crowd applauded this.
Public-domain text, read in full here on John Shaqi.
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