Joel Chandler Harris' life of Henry W. Grady including his writings and speeches
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Joel Chandler Harris' life of Henry W. Grady including his writings and speeches
Grady, Henry Woodfin, 1850-1889
The love we feel for that race you cannot measure nor comprehend. As I
attest it here, the spirit of my old black mammy from her home up there
looks down to bless, and through the tumult of this night steals the
sweet music of her croonings as thirty years ago she held me in her
black arms and led me smiling into sleep. This scene vanishes as I
speak, and I catch a vision of an old Southern home, with its lofty
pillars, and its white pigeons fluttering down through the golden air. I
see women with strained and anxious faces, and children alert yet
helpless. I see night come down with its dangers and its apprehensions,
and in a big homely room I feel on my tired head the touch of loving
hands—now worn and wrinkled, but fairer to me yet than the hands of
mortal woman, and stronger yet to lead me than the hands of mortal
man—as they lay a mother’s blessing there while at her knees—the truest
altar I yet have found—I thank God that she is safe in her sanctuary,
because her slaves, sentinel in the silent cabin or guard at her chamber
door, puts a black man’s loyalty between her and danger.
I catch another vision. The crisis of battle—a soldier struck,
staggering, fallen. I see a slave, scuffling through the smoke, winding
his black arms about the fallen form, reckless of the hurtling
death—bending his trusty face to catch the words that tremble on the
stricken lips, so wrestling meantime with agony that he would lay down
his life in his master’s stead. I see him by the weary bedside,
ministering with uncomplaining patience, praying with all his humble
heart that God will lift his master up, until death comes in mercy and
in honor to still the soldier’s agony and seal the soldier’s life. I see
him by the open grave, mute, motionless, uncovered, suffering for the
death of him who in life fought against his freedom. I see him when the
mound is heaped and the great drama of his life is closed, turn away and
with downcast eyes and uncertain step start out into new and strange
fields, faltering, struggling, but moving on, until his shambling figure
is lost in the light of this better and brighter day. And from the grave
comes a voice saying: “Follow him! Put your arms about him in his need,
even as he puts his about me. Be his friend as he was mine.” And out
into this new world—strange to me as to him, dazzling, bewildering
both—I follow! And may God forget my people—when they forget these!
Public-domain text, read in full here on John Shaqi.
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