Joel Chandler Harris' life of Henry W. Grady including his writings and speeches
History
Joel Chandler Harris' life of Henry W. Grady including his writings and speeches
Grady, Henry Woodfin, 1850-1889
During his college days, he was a boy of bounding spirit, who, by an
inexplicable power over his associates, made for himself an unchallenged
leadership in all things with which he concerned himself. He was not a
close student. He never studied his text-books more than was necessary
to guarantee his rising from class to class, and to finally secure his
diploma. He had no fondness for any department of learning except
belles-lettres. In that branch of study he stood well, simply because it
was to his liking. The sciences, especially mathematics, were really
distasteful to him. He was an omnivorous reader. Every character of
Dickens was as familiar to him as a personal friend. That great novelist
was his favorite author. He read widely of history, and had a great
memory for dates and events. He reveled in poetry as a pastime, but
never found anything that delighted him more than “Lucile.” He learned
that love-song literally by heart.
While at college his best intellectual efforts were made in his literary
and debating society. He aspired to be anniversarian of his society, and
his election seemed a foregone conclusion. He was, however,
over-confident of success in the last days of the canvass, and when the
election came off was beaten by one vote. This was his first
disappointment, and went hard with him. He could not bring himself to
understand how anything toward the accomplishment of which he had bent
his energy could fail. His defeat proved a blessing in disguise, for the
following year a place of higher honor, namely that of “commencement
orator” was instituted at the University, and to that he was elected by
acclamation. This was the year of his graduation, and the speech he made
was the sensation of commencement. His subject was “Castles in Air,” and
in the treatment of his poetic theme he reveled in that wonderful power
of word painting for which he afterwards became so famous. Even in those
early days, he wrote and spoke with a fluency of expression, and
brilliancy of fancy, that were incomparable.
In all the relations of college life he was universally popular. He had
a real genius for putting himself _en rapport_ with all sorts and
conditions of men. His sympathy was quick-flowing and kind. Any sight or
story of suffering would touch his heart and make the tears come. His
generosity, like a great river, ran in ceaseless flow and broadening
course toward the wide ocean of humanity. He lived in the realization of
its being “more blessed to give than to receive.” He never stopped to
consider the worthiness of an object, but insisted that a man was
entitled to some form of selfishness, and said his was the
self-indulgence which he experienced in giving.
Public-domain text, read in full here on John Shaqi.
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