Life, none the less, was not altogether disagreeable behind the lines. There were compensations during the rest moments. Concerts and theatrical representations in which all the stars of the army appeared, men who had been renowned artists "in the civil," made the audience forget the dangers and discomforts of their actual life. And in these _entr’actes_ in the villages, the subject of the war was taboo by a sort of coquetry; one talked of anything else, and occupied one’s leisure in acquiring relics from the ruined houses in the devastated villages, or sought, in other ways, to import some variety into the monotony of danger. The concerts revealed the singular talent of the French for improvisation and gave occasion to a latent gaiety, which flickered and flamed into pure joyousness. From the mind in those moments was banished dull care, and badinage became the current coin. Whilst the younger and more vigorous played games, the studious and literary engaged in intellectual exercises. Impressive in their reality are some of the books that have been written at the Front. There is a suggestion of actual experience about them, of _chases vécues_, which one does not feel in second-hand impressions. Poems, too, flowed from the trenches—not poems, in general, concerned with war, but love and the softer passions. Where war was treated, it was as a mistress, stern and hard to woo. The Great War inspired something of the lyricism that succeeded the Napoleonic era, when de Musset, Hugo, Lamartine, and a pleiades of poets existed. Talent certainly flourished in the trenches. An opera was a proof of it—words and music of such startling excellence that the critics, before whom the work was played, expressed a deep enthusiasm for it. It was reserved for production at the Paris Opera House until the music of the trenches should have given place to the music of peace. Like many a hero in the fight, the author will remain anonymous until the war has ceased to be anything but an ugly remembrance, and then we shall taste the quality of the composition.