There is no better indication of the gaiety and good humour prevailing at the Front than the journals that are circulating in the trenches. I know one charming periodical which was printed within a hundred yards of the German lines, deep down in the earth, in one of those subterranean forts that one imagined impregnable until it was discovered that the Germans, by employing their great guns, could force their way through the soil and attain these defences. The best of the journals that the war has produced on the French side is probably _Rigolboche_, an extremely clever little paper, and yet unpretentious withal, being hand-written and reproduced by a duplicating machine. The letterpress and sketches are really charming, and convey in the most eloquent manner the good temper and high spirits maintained during this protracted war. Even the deadly monotony of the fighting did not damp the artistic ardour of its contributors. Indeed, the pages of many of these jovial little publications prove how indigenous to the soil of France are wit and talent. The wide mobilisation gathers every one into the fold—artist and _littérateur_, artisan and peasant; but the last named, notwithstanding his lack of letters, has qualities of his own, qualities of soul, and even if he is unable to contribute directly to the trench journal, the little newspaper sparkles with wit which he inspires. _Rigolboche_ has a characteristic sketch. The Kaiser and François Joseph are discovered talking. "My dear François Joseph," remarks the Kaiser, "I think the moment has come to kill the Gallic cock; it is fat and in good condition." He draws his knife, but the cock flies full at his face; at the same time, the British bull-dog gets his teeth into his leg, and the Russian bull, charging up, bears him away on his back.