France. Armée; Joffre, Joseph Jacques Césaire, 1852-1931; World War, 1914-1918
Very curious is the psychology of the airman. He is billeted so often
in the midst of the world in some pleasant little town away behind the
lines—it may be even Paris; sometimes also Fate sends him to a château
where he lives like a prince amid ancestral halls and a sweeping
park—until the day when duty calls him to mount the perilous stairway of
the skies to give mortal combat to the enemy. In the trenches men
welcome an attack as a relief from the deadly monotony of life in pits,
but the airman leaves an easeful, agreeable, social life for the cold,
austere atmosphere of the skies under the pure radiant dome of heaven.
It requires a man of special temperament to withstand so lively a
contrast—not to be softened or unnerved by it. Think of the solitude of
the upper air, careering absolutely alone, perhaps. And there is no
turning back. There is no such word as "funk" in the bright lexicon of
the airman. He is up there because he is fearless, because he does not
dread being solus in the wide heavens, because he is a man and no
craven, because he has nerves of steel and whipcord. And he must be
ready to fight with any weapons. Garros was equally expert in attacking
and bringing down his man with machine-gun, carbine, rifle, or even
revolver, and in ten days before he was captured he had "grassed" three
German aeroplanes. One of the men who fell into his hands having asked
him to announce his capture to the German lines, Garros started off in
that spirit of chivalry common amongst airmen. There is this delightful
about the new arm, it has given a touch of romance to the drab horror of
the war. Whenever a man was captured or killed, airmen from the
opposite camp dropped a letter informing the comrades of the victim,
often with an added word of praise. "Even the Germans are gentlemen in
the air," remarked a young pilot the other day. There is chivalry in
the air. The man with his head near the stars, flying in immeasurable
space, has no room for littlenesses. His heart is large and splendid
like the splendour of his deeds—deeds that make the exploits of the old
heroes pale into insignificance. They are the phenomenal fruit of a
limitless audacity, of a glorious and spring-like youth, of the heyday
of existence, when danger is the mad intoxicant, the heady draught that
puts brightness into the eye, that gives a riotous pleasure to life,
that is like song and wine to the hero clad in the shining and
invincible armour of his own superlative freshness and illusions.
The bodies that crash down from the heavens and the souls that soar into
the white radiance of Eternity have known no petty thought, have
perpetrated no mean deed. Yes, there is chivalry in the Air.
*CHAPTER XX*
*THE POILU’S HOSPITAL*
Public-domain text, read in full here on John Shaqi.
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