445 Vol. iii. 71. 446 Vol. ii. 331 n. 447 No. 85: _Ich bin ein guter Hirt._ 448 Note 60. 449 Vol. ii. 331 n. 450 No. 33: _Gott färet auf mit Jauchzen._ 451 See Table. 452 No. 74. 453 Op. cit., p. 377. 454 See Table. 455 Nos. 100 and 107, both of them c. 1735. 456 No. 8, for the Sixteenth Sunday after Trinity. 457 No. 93, for the Fifth Sunday after Trinity (1728). 458 Nos. 9 (? 1731), 99 (c. 1733). 459 No. 122. 460 No. 80. 461 Nos. 1, 2, 5, 8, 20, 26, 62, 78, 91, 92, 93, 96, 115, 121, 124, 127, 138, 140. 462 Nos. 7, 9, 10, 14, 33, 41, 94, 99, 101, 111, 113, 114, 116, 125, 126, 130, 139, 178, 180. 463 Nos. 4, 97, 100, 107, 112, 117, 129, 137, 177, 192. 464 Nos. 3, 38, 123, 133, 135. 465 P. xxiv. 466 Nos. 3, 123, 133, 135. 467 See supra, p. 180. 468 Nos. 17, 34, 43, 151, 197, and _Herr Gott, Beherrsoher aller Dinge._ 469 Nos. 30, 32, 48, 57, 90. 470 Nos. 45, 79, 110, 143. 471 No. 28. 472 No. 50. 473 No. 118. 474 Nos. 6, 11, 13, 146, 193. 475 See _Bach’s Chorals,_ Part II., Introduction. 476 The above article and the Table that follows were communicated originally to the Musical Association on March 28, 1918. 477 General mourning for the Queen lasted from Sept. 7, 1727, to Jan. 6, 1728. No Cantatas were sung in the period. 478 The Church Cantatas are published by Peters and also by Breitkopf and Haertel. A prefixed asterisk indicates that an English edition of the Cantata or Oratorio is published by Novello or Breitkopf and Haertel. The Organ music is published by Novello, to whose edition references are given (N.), Peters, and Breitkopf and Haertel. collation of the Peters and Novello editions is given in Appendix V. The Clavier and Instrumental music is published by Peters, to whose edition references are given (P.). 479 A Variant of the first Invention is on p. 342 of the volume. A Variant of Sinfonia ix. is on p. vi. of the Nachtrag. 480 A Variant is in B.G. XI. 481 A Variant is in P. bk. 244 p. 109. 482 “If genuine, the Sonata is a youthful work,” remarks Schweitzer, i. 401 n. 483 Additional movements of the second, third, and fourth Suites are in Appendix II. of B.G. XXXVI. 484 The volume contains an Appendix of Variants, etc. See also B.G. XLV. (1) Appendix. Variants of Nos. 1, 3, 6 of Part II. are in Appendix I. of B.G. XXXVI. 485 See publications of the N.B.G. xiv. (2) no. 5. 486 See publications of the N.B.G. vii. (3) no. 3. 487 For this work, in its original form as a Violin Concerto, see N.B.G. XVIII. (1 and 2). 488 The D major (No. 3) and G minor (No. 7) Concertos are identical with the Violin Concertos in E major and A minor. See B.G. XXI. (1). No. 6 (F. major) is the fourth Brandenburg Concerto (in G.). See B.G. XIX. no. 4.