I have said already that Bach’s sons were his most distinguished pupils. The eldest, WILHELM FRIEDEMANN BACH, came nearest to his father in the originality of his genius. His melodies have quite a different character from those of other composers. They are exceedingly clever, elegant, and spontaneous. When performed with delicacy, as he played them, they cannot fail to charm every hearer. It is greatly to be regretted that he preferred to follow his fancy in extemporisation and to expend his genius on fugitive thoughts rather than to work them out on paper. The number of his compositions therefore is small, but all are beautiful. CARL PHILIPP EMMANUEL BACH, who comes next, went out into the world sufficiently early to discover that it is a good thing for a composer to have a large public behind him. Hence, in the clearness and easy intelligibility of his compositions, he approaches the popular style, though he scrupulously avoids the commonplace.(201) Both he and his elder brother admitted that they were driven to adopt a style of their own by the wish to avoid comparison with their incomparable father. JOHANN CHRISTOPH FRIEDRICH BACH, Concertmeister at the Court of Bückeburg, imitated Carl Philipp’s style, but was not his equal. According to Wilhelm Friedemann, he was the best player among the brothers, and the most effective performer of their father’s Clavier compositions. JOHANN CHRISTIAN BACH, called “Bach of Milan,” and afterwards “Bach of London,” was the youngest son of Bach’s second marriage and of too tender an age when his father died ever to have had lessons from him. Hence, perhaps, the absence of Bach’s style in his music. He was, in fact, a popular composer universally admired in his day.(202) CHAPTER VIII. PERSONAL CHARACTERISTICS Distinguished as a player, composer, and teacher, Bach was also an indulgent father, a good friend, and a loyal citizen. His paternal devotion is shown by his care for his children’s education, and he was equally assiduous in the performance of his civil and social duties. His acquaintance was agreeable to everybody. Every lover of music, whatever his nationality, was sure of a friendly reception at his house, and his sociability and reputation caused him to be seldom without visitors.