Notenbuch vor Anna Magdalena Bach (bk. 1959) (1725). Clavierübung, Part I. containing the six Partitas, or German Suites (bks. 205-6 or 2796-97) (1731). Orchestral:— Concertos in C major, C minor, and C minor for two Claviers and Orchestra (bks. 256, 257, 257b) (1727-36).(341) Seven Concertos for Clavier and Orchestra (bks. 248-54) (1729-36). Concerto in A minor for Violin, Flute, Clavier, and Orchestra (bk. 255) (c. 1730).(342) Concerto in A minor for four Claviers and Orchestra (bk. 260) (c. 1733). Concertos in D minor and C major for three Claviers and Orchestra (bks. 258, 259) (c. 1733). Organ:— Prelude and Fugue, the Great, in G major (bk. 8 p. 112) (1724 or 1725).(343) Six Sonatas in E flat major, C minor, D minor, E minor, C major, G major (bks. 4 and 5) (1727-33).(344) Prelude and Fugue in C major (bk. 3 p. 70) (c. 1730). Do. do. D minor (bk. 9 p. 150). V. Catalogue Of Bach’s Compositions At Leipzig, 1735-50, from his fifty-first year to his death. Vocal:— Ascension Oratorio (Cantata 11) (c. 1735). Schemelli’s Hymn-book (1736). Easter Oratorio (c. 1736). Four Masses, in P major, A major (c. 1739), G minor, G major (c. 1739). Secular Cantata: Angenehmes Wiederau (1737). Do. Willkommen, ihr herrschenden Götter der Erden (1738) (music lost). Do. Mer hahn en neue Oberkeet (Peasant Cantata) (1742). Do. O holder Tag (?1749), _or_, O angenehme Melodei. Italian Cantata: Amore traditore. Do. Andro dall’ colle al prato (lost). Do. Non sa che sia dolore. Clavier:— Clavierübung, Part II. containing the Italian Concerto (bk. 207) and Partita in B minor (bk. 208) (1735). Fantasia and Fugue in C minor (bk. 207 p. 50 and bk. 212 p. 88) (c. 1738). Clavierübung, Part III. containing the four Duetti (bk. 208) (1739). Clavierübung, Part IV. containing the Goldberg Variations (bk. 209) (c. 1742). The Well-tempered Clavier, Part II. (bk. Ib or 2790b) (1744). Chamber:— Sonata for Violin, Flute, and Clavier, in C minor (in the “Musical Offering”) (bk. 237 p. 3) (1747). Three Partitas for the Lute (?1740).(345) Organ:—