John, A Love Story; vol. 2 of 2Oliphant, Mrs. (Margaret)
General
John, A Love Story; vol. 2 of 2
Oliphant, Mrs. (Margaret)
Fiction; Love stories
“With me and with Fred,” said Mr Crediton. “He will be a son to me,
Kate. He will not take you away from me. It is what I have wished for
years. You will make us both very happy, my darling,” her father went
on pleading. “Let me call him now.”
“Oh, papa, let me go! He is out,” said Kate, in a kind of despair,
raising herself from his arms. She wanted to get away to be by herself,
to think what it all meant, and scarcely knew or understood what she
said.
“He cannot be far off. Let me go and find him,” said Mr Crediton; “you
would make me so happy, Kate.”
“Oh, papa, don’t kill me!--not now. I would do anything to make you
happy; but not now--I cannot bear any more.”
“Then, my darling, I will not press you; but later--when you have had
time to think--say at five o’clock; come to me at five o’clock. You
have made him very wretched and treated him very badly, and me too; but
you will make it up to us, my own Kate?”
“Please let me go,” she said, wearily, drawing herself out of his arms,
and making visible a face which was no longer flushed and beautiful,
but very pale, scared, marked with tears, and reluctant to face the
light.
“You shall go,” said her father, tenderly, leading her to the door.
“But remember at five o’clock--promise that you will come at five
o’clock.”
“Whenever you please--what does it matter?” sighed poor Kate. He
repeated the hour again in his anxiety, but she paid no attention. She
ran up-stairs as soon as she had escaped from him, a little palefaced
woe-begone ghost. Some one met her on the stairs, but she did not stop
to see who it was. She did not even care to have her emotion perceived,
as she would have done under other circumstances. She did not care
for anything but getting to a shelter and hiding herself, and asking
somebody (was it herself or some hidden counsellor she should find
there?) what did it all mean?
Public-domain text, read in full here on John Shaqi.
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