John G. Paton, missionary to the New Hebrides, volume 1 (of 3) : $b An autobiography edited by his brotherPaton, John Gibson
Religion
John G. Paton, missionary to the New Hebrides, volume 1 (of 3) : $b An autobiography edited by his brother
Paton, John Gibson
Missionaries -- Vanuatu -- Biography; Paton, John Gibson, 1824-1907
Not without some doubt, and under considerable trial, did I take this
apparently unfriendly attitude. But I feared to seem even to approve of
any act of devil-worship, or to confirm them in it, being there to
discourage all such scenes, and to lead them to acknowledge only the
true God. I felt as if guilty and as if the hat were rising from my
head, when I heard them imprecating and appeasing their God, without
being able to show them the God of Love and the better way into His
presence through Jesus Christ. My opportunity to do so arose over the
refusal of the food offered unto Idols, and I told them of the claims of
Jehovah, the jealous God, who would not share His worship with any
other. But all the time I felt this qualm,—that it were better to eat
food with men who acknowledged some God and asked his blessing than with
those white Heathens at home, who asked the blessing of no God, nor
thanked Him, in this worse than the dog which licks the hand that feeds
it! Nowar and Nerwangi explained in great orations what I meant, and how
I wished all to be divided amongst the assembled Tribes to show my love.
With this, all seemed highly satisfied.
Heathen dances were now entered upon, their paint and feathers and
ornaments adding to the wildness of the scene. The men seemed to dance
in an inside ring, and the women in an outside ring, at a considerable
distance from each other. Music was supplied by singing and clapping of
hands. The order was perfect, and the figures highly intricate. But I
have never been able to associate dancing with things lovely and of good
report! After the dancing, all retired to the bush, and a kind of sham
fight followed on the public cleared ground. A host of painted savages
rushed in and took possession with songs and shoutings. From the bush,
on the opposite side, the chanting of women was heard in the distance,
louder and louder as they approached. Snatching from a burning fire
flaming sticks, they rushed on the men with these, beating them and
throwing burning pieces of wood among them, till with deafening yells
amongst themselves and amidst shouts of laughter from the crowd, they
drove them from the space, and danced thereon and sang a song of
victory. The dancing and fighting, the naked painted figures, and the
constant yells and shoutings gave one a weird sensation, and suggested
strange ideas of Hell broken loose.
Public-domain text, read in full here on John Shaqi.
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