In 1883 (January 7) died, in Boston, Whittier's brother, Matthew Franklin Whittier, whose daughter Elizabeth, before her marriage to Samuel T. Pickard, was house-keeper for a number of years for her uncle, the poet, at Amesbury. "Frank," as his associates called him, obtained, it is said, his position in the Boston Custom House through the influence of his brother. Says a friend (Mr. Charles O. Stickney):-- "Frank was not a poet, and being of a practical turn of mind, had the good sense not to attempt the impossible; but he was a man of intellect, an omnivorous reader, was well posted, and, though inclined to seclusion and taciturnity, was nevertheless genial and companionable; his conversation spiced with his quiet, quaint humor, which bubbled up in some happy _mot_, neat fun, or well-turned bit of satire which raised a laugh, but left no sting behind." His quaint, humorous dialect articles, over the signature "Ethan Spike," are said to have given Nasby and Artemus Ward their cue. They were chiefly contributed to the Portland _Transcript_, the Boston _Carpet Bag_, and New York _Vanity Fair_. They all purported to emanate from "Hornby," a "smart town" in Maine--"a veritable down-east wonderland, whose wide-awake citizens were up to the times and ready to settle any great question of the day at 'a special town meetin'.'" Mr. Spike was as intense in his anti-slavery views as his brother Greenleaf. Specimens of his work may be found in the Portland _Transcript_, January 10, 1846, the _Carpet Bag_, October 14, 1850, and November, 1851. In 1884 Whittier's seventy-seventh birthday was observed at Oak Knoll, when the genial old bachelor received with courtesy and hospitality all who called. Gifts of flowers poured in to serve as foil to the two huge birthday cakes from relatives. An editorial writer in one of Boston's chief dailies thus describes a visit to Mr. Whittier, made in 1884:-- "Mr. Whittier met us at the door of the pleasant house at Oak Knoll. He came out on the piazza, and shook us each by the hand, and said, 'I am glad to see thee.' He concerned himself about our rubbers and waterproofs in the hall-way, and said that we were kind to come. I had taken a great fit of shyness on seeing him, and was surprised to hear my friend speaking to him in the same quiet tone that she had used when alone with me. I listened, and reveled in silence as the old poet and the young artist spoke together. He led us into the parlor, and they talked of a landscape on the wall, of pictures, and of a portrait.