John Greenleaf Whittier: His Life, Genius, and WritingsKennedy, William Sloane
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John Greenleaf Whittier: His Life, Genius, and Writings
Kennedy, William Sloane
Abolitionists -- United States -- Biography; Poets, American -- 19th century -- Biography; Whittier, John Greenleaf, 1807-1892
But Whittier is as remarkable for his faith in man as for his faith in
God. He is in the highest degree patriotic, American. He loves America
because it is the land of freedom. It has been charged against him that
he is no true American poet, but a Quaker poet. The American, it is
said, is eager, aggressive, high-spirited, combative; the Quaker,
subdued and phlegmatic. The American is loud and boastful and daring and
reckless; the Quaker, cautious, timid, secretive, and frugal. This is
undoubtedly true of the classes as types, but it is far from being true
of Whittier personally. He has blood militant in him. He comes of
Puritan as well as Quaker stock. The Greenleafs and the Batchelders were
not Quakers. The reader will perhaps remember the Lieutenant Greenleaf,
already mentioned, who fought through the entire Civil War in
England.[25] But his writings alone furnish ample proof of his martial
spirit. The man and the Quaker struggle within him for the mastery; and
the man is, on the whole, triumphant. Whenever his Quakerism permits, he
stands out a normal man and a genuine American. As Lowell says:--
"There is Whittier, whose swelling and vehement heart
Strains the strait-breasted drab of the Quaker apart,
And reveals the live Man still supreme and erect
Underneath the bemummying wrappers of sect."
[Footnote 25: Hear Whittier himself on the subject:--
"Without intending any disparagement of my peaceable ancestry for many
generations, I have still strong suspicions that somewhat of the old
Norman blood, something of the grim Berserker spirit, has been
bequeathed to me. How else can I account for the intense childish
eagerness with which I listened to the stories of old campaigners who
sometimes fought their battles over again in my hearing? Why did I, in
my young fancy, go up with Jonathan, the son of Saul, to smite the
garrisoned Philistines of Michmash, or with the fierce son of Nun
against the cities of Canaan? Why was Mr. Greatheart, in Pilgrim's
Progress, my favorite character? What gave such fascination to the grand
Homeric encounter between Christian and Apollyon in the valley? Why did
I follow Ossian over Morven's battle-fields, exulting in the
vulture-screams of the blind scald over his fallen enemies? Still,
later, why did the newspapers furnish me with subjects for hero-worship
in the half-demented Sir Gregor McGregor, and Ypsilanti at the head of
his knavish Greeks? I can account for it only on the supposition that
the mischief was inherited,--an heirloom from the old sea-kings of the
ninth century."--_Prose Works, II._, 390, 391.]
Public-domain text, read in full here on John Shaqi.
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