But not so, O gentle minstrel of Essex! There are poems of thine which thousands prefer to the best of Spenser's or Sidney's, and which will continue to exist as long as beauty is its own excuse for being. Thou too hast been in Paradise, to fetch thence armfuls of dewy roses for our delight; not mounting thither by the "stairway of surprise," but along the common highway of daily duty and noble endeavor, unmindful of the dust and heat and chafing burdens, but singing aloud thy songs of lofty cheer, all magically intertwined with pictures of wayside flowers, and the homely beauty of lowliest things. And thou hast imparted to us the "groping of the keys of the heavenly harmonies," that no one who loves thy songs, ever loses from his life. CHAPTER III. POEMS SERIATIM. Among the three or four critical papers on Whittier that have up to this time been published, there is one that is marked by exceptional vigor; namely, the admirable philosophical analysis by Mr. David A. Wasson, published in the _Atlantic Monthly_ for March, 1864. The author gladly acknowledges his indebtedness to this paper for several things,--chiefly for its keen _apercu_ into the nature of Whittier's genius, and the proper psychological grouping of his poems. Mr. Wasson's classification can hardly be improved upon in its general features. He divides the literary life of the poet into three epochs,--The Struggle for Life, The Culture Epoch, and The Epoch of Poetic Realism; and between each of these he places transitional periods. The lines of his classification, however, are too sharply drawn, and the epochs seem too minutely subdivided. Moreover, the present writer would add an introductory or preparatory period; in other respects it seems to him that the grouping is as correct as such mathematical measurements of a poet's development can be. Suppose we group and name the poet's mental epochs as follows:-- FIRST PERIOD.--INTRODUCTORY. 1830-1833. During this quiet, purely literary epoch, Whittier published "Legends of New England" and "Moll Pitcher," and edited the "Literary Remains of Brainard." SECOND PERIOD.--STORM AND STRESS. 1833-1853. The beginning of this period was marked by the publication of "Justice and Expediency," and during its continuance were written most of the anti-slavery productions, the Indian poems, many legendary lays and prose pieces, religious lyrics, and "Songs of Labor." The latter, being partially free from didacticism, leads naturally up to the third period. THIRD PERIOD.--TRANSITION. 1853-1860