Holdsworth closed the door, and a whole hour passed before he rose to
remove his clothes. There was something in the recollection of the
thrill which the name of Hanwitch had sent through him, that impelled
him to bend the whole energies of his mind to the word, and he strove
with memory passionately and fiercely, but could not wrench a syllable
from her. He repeated the name until it lost even its sense as the
designation of a town. Nevertheless, every moment made his longing
to visit it deeper. There must be _some_ reason why this name had so
stirred him. The names of other English counties and cities had been
pronounced before him and by him over and over again, but they touched
no chord, they awoke no echo in his mind, however dim and elusive.
If memory would only define the object he sought! This it would not
do. He was a wanderer, obeying the dictation of blind instinct, which
urged without guiding him. Of all his past, nothing was present to
his mind. He knew not what he sought. His was an affliction crueller
than blindness, for a blind man could say: “A beloved one has strayed
from me. I seek her. I see not, indeed, those who surround me, but my
mission has form and substance in my mind, and my inquiries cannot
_always_ prove fruitless.” But Holdsworth was commanded by a mysterious
emotion which controlled without enlightening him. _Something_ had been
lost--_something_ was to be found. He felt his want, but could not
explain it to himself. No man could help him, since no man could guess
what was the thing he looked for.
When he left his chair he sank upon his knees and asked God in broken
tones to help him--to direct him into the path that should lead him to
the light--to aid him in his yearning to re-illuminate his memory.
CHAPTER XXI.
FOR HANWITCH.
If a man has one good reason for being grateful for living in these
times, it is because they are _not_ coaching days.
The old stage-coach, the Wellerian coachman, the spruce guard with his
horn and his jokes, the fat people inside, the gruff people outside,
all contributed a picturesque detail to the age they belonged to; but I
have generally found that the more picturesque an object is, the fitter
it is to be surveyed at a distance only.
Public-domain text, read in full here on John Shaqi.
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