“Yes,” replied Dolly’s voice from downstairs.
“How long will dinner be?”
“Five minutes!”
He threw his hat down and walked into the “surgery,” a room at the end
of the passage, furnished with a chest of drawers, a toilet-table and
a looking-glass, an arm-chair, an ugly circular box with a basin let
into it, standing beside the arm-chair; on the toilet-table, some small
hand-glasses, a pair of forceps, and three unfinished false teeth.
Through the window was to be seen a slip of garden of the breadth of
the house, and about fifty feet long--its neglected state, its few
pining shrubs, and a flag-pole with a vane a-top that croaked to every
passage of the wind, showing up very squalidly against the neighbouring
garden, which was richly stocked with wall-fruit and ferns and green
plants.
Little Nelly was in this piece of ground with her doll, seated on the
grass, and at that moment making such a picture as a painter would stop
to study and receive into his mind; her round dark-blue eyes following
the swallows which chased each other high in the air, her mouth pouted
into an expression of exquisite infantine wonder, her bright hair about
her shoulders, and looking, as the breeze stirred the sunshine upon it,
like a falling shower of fine gold.
Mr. Conway stared at the child for a moment, and then turned away and
sauntered towards the door, but came back to open one of the drawers
in the chest and extract a leather-covered bottle, which he shook at
his ear, and put to his mouth.
O God! what contrasts there are in life, lying so close together that
the devil, though his worship be no bigger than a man, might measure
the space between with outstretched hands! Look at Purity and Innocence
in the garden, with its eyes raised to heaven; and the skulking fellow
in the dingy room swallowing brandy as a man steals money; and in the
room below--a darksome, scantily-furnished kitchen--a sweet-faced woman
doing servant’s work, and urging the slattern by her side into quicker
movements, that the gentleman upstairs shall have no occasion to use
bad language.
She comes upstairs presently, this Dolly, her face flushed, and
breathing quickly from the hurry of her movements, and bears with her
own hands a dish that will furnish but a poor repast, though she has
done her best to make what little there is palatable. The slattern,
with wisps of red hair about her forehead, and loose shoes, which beat
a double knock at each step upon the uncarpeted staircase, follows,
armed with a jug and a loaf of bread. Behind comes little Nelly, whom
the mother has summoned before leaving the kitchen, and who has climbed
the staircase with more labour than Mont Blanc is scaled by the Alpine
tourist.
Public-domain text, read in full here on John Shaqi.
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