John Inglesant: A Romance (Volume 2 of 2)Shorthouse, J. H. (Joseph Henry)
History
John Inglesant: A Romance (Volume 2 of 2)
Shorthouse, J. H. (Joseph Henry)
Great Britain -- History -- Charles I, 1625-1649 -- Fiction; Religious fiction
"I desire no representation nor image of a past world of iniquity," said
the stranger, "I would I could say of a dead life, but the whole world
lieth in wickedness until this day. This is why I travel through all
lands, crying to all men that they repent and escape the most righteous
judgment of God, if haply there be yet time. These are those latter
days in which our Saviour and Redeemer Jesus Christ, the Son of God,
predicted that iniquity ’should be increased;’ wherein, instead of
serving God, all serve their own humours and affections, being rocked to
sleep with the false and deceitful lullaby of effeminate pleasures and
delights of the flesh, and know not that an horrible mischief and
overthrow is awaiting them, that the pit of Hell yawns beneath them, and
that for them is reserved the inevitable rigour of the eternal fire. Is
it a time for chambering and wantonness, for soft raiment and dainty
living, for reading of old play-books such as the one I see on the
table, for building houses of cedar, painted with vermilion, and decked
with all the loose and fantastic devices which a disordered and
debauched intellect could itself conceive, or could borrow from Pagan
tombs and haunts of devils, full of uncleanness and dead sins?"
"You speak too harshly of these things," said Inglesant. "I see nothing
in them but the instinct of humanity, differing in its outward aspect in
different ages, but alike in its meaning and audible voice. This house
is in itself a representation of the world of fancy and reality
combined, of the material life of the animal mingled with those
half-seen and fitful glimpses of the unknown life upon the verge of
which we stand. This little fellow which I hold in my hand, speaks to
me, in an indistinct and yet forcible voice, of that common
sympathy—magical and hidden though it may be—by which the whole creation
is linked together, and in which, as is taught in many an allegory and
quaint device upon these walls, the Creator of us all has a kindly
feeling for the basest and most inanimate. My imagination follows
humanity through all the paths by which it has reached the present
moment, and the more memorials I can gather of its devious footsteps the
more enlarged my view becomes of what its trials, its struggles, and its
virtues were. All things that ever delighted it were in themselves the
good blessings of God—the painter’s and the player’s art—action,
apparel, agility, music. Without these life would be a desert; and as
it seems to me, these things softened manners so as to allow Religion to
be heard, who otherwise would not have been listened to in a savage
world, and among a brutal people destitute of civility. As I trace
these things backward for centuries, I live far beyond my natural term,
and my mind is delighted with the pleasures of nations who were dust
ages before I was born."
Public-domain text, read in full here on John Shaqi.
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