John Inglesant: A Romance (Volume 2 of 2)Shorthouse, J. H. (Joseph Henry)
History
John Inglesant: A Romance (Volume 2 of 2)
Shorthouse, J. H. (Joseph Henry)
Great Britain -- History -- Charles I, 1625-1649 -- Fiction; Religious fiction
He moved from the indolent attitude he had kept till this moment before
the sideboard, and exchanged with the Italian those formal gestures of
leave-taking and politeness in which his nation were precise. When the
Italian was gone Inglesant summoned a servant, and directed him to
provide the stranger with an apartment, and to see that he wanted for
nothing. He then turned to the fanatic, and requested him as a favour
not to attempt to leave the palace until he had returned from the Duke.
The stranger hesitated, but finally consented.
"I owe you my life," he said,—"a life I value not at a straw’s weight,
but for which my Master may perchance have some use even yet. I am
therefore in your debt, and I will give my word to remain quiet until
you return; but this promise only extends to nightfall; should you be
prevented by any chance from returning this day, I am free from my
parole."
Inglesant bowed.
"I would," continued the man, looking upon his companion with a softened
and even compassionate regard, "I would I could say more. I hear a
secret voice, which tells me that you are even now walking in slippery
places, and that your heart is not at ease."
He stopped, and seemed to seek earnestly for some phrases or arguments
which he might suppose likely to influence a courtier placed as he
imagined Inglesant to be; but before he resumed, the latter excused
himself on the ground of his attendance on the Duke, and, promising to
see him again on his return, left the room.
Inglesant found a carriage waiting to convey him to the "Hospital of
Death," as the monastic house adjoining the public Campo Santo was
called. The religious performance had already begun. Passing through
several sombre corridors and across a courtyard, he was ushered into the
Duke’s presence, who sat, surrounded by his Court and by the principal
ecclesiastics of the city, in an open balcony or loggia. As Inglesant
entered by a small door in the back of the gallery a most extraordinary
sight met his eyes. Beyond the loggia was a small yard or
burial-ground, and beyond this the Campo Santo stretching out into the
far country. The whole of the yard immediately before the spectators
was thronged by a multitude of persons, of all ages and ranks,
apparently just risen from the tomb. Many were utterly without
clothing, others were attired as kings, bishops, and even popes. Their
attitudes and conduct corresponded with the characters in which they
appeared, the ecclesiastics collecting in calm and sedate attitudes,
while many of the rest, among whom kings and great men were not wanting,
appeared in an extremity of anguish and fear. Beyond the sheltering
walls which enclosed the court the dazzling heat brooded over the Campo
Santo to the distant hills, and the funereal trees stood, black and
sombre, against the glare of the yellow sky. At the moment of
Inglesant’s entrance it appeared that something had taken place of the
Public-domain text, read in full here on John Shaqi.
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