When the Italian first saw Inglesant, whom he had never met in England, in the theatre in Florence, he was startled and terrified by his close resemblance to his murdered brother; and his first thought was that his victim had returned to earth, and, invisible to others, was permitted to avenge himself upon his murderer by haunting and terrifying his paths. When he discovered, however, that the Cavaliere not only saw the appearance which had so alarmed him, but could tell him who Inglesant was, and to a certain extent what the motives were which had brought him to Italy, his superstitious fears gave place to more material apprehensions and expedients. He at once resolved to assassinate Inglesant on leaving the theatre, in the first street through which he might pass—a purpose which he might easily have accomplished during Inglesant’s careless and unguarded wanderings round the house of Lauretta’s father that night. From this intention he was with difficulty diverted by the reasoning of the Cavaliere, who represented to him the rashness of such an action, protected as Inglesant was by the most powerful of Societies, which would not fail to punish any act which deprived it of a useful agent; the unnecessary character of the attempt, Inglesant being at present in complete ignorance that his enemy was near him; and above all, the folly of destroying a person who might otherwise be made the medium of great personal profit and advantage. He explained to Malvolti Inglesant’s connection with the Chigi family, and the position of influence he would occupy should the Cardinal be elected to the Popedom; finally, he went so far as to hint at the possibility of an alliance between Malvolti and his sister, should Inglesant remain uninjured.