John Inglesant: A Romance (Volume 2 of 2)Shorthouse, J. H. (Joseph Henry)
History
John Inglesant: A Romance (Volume 2 of 2)
Shorthouse, J. H. (Joseph Henry)
Great Britain -- History -- Charles I, 1625-1649 -- Fiction; Religious fiction
Some short time after the Pope’s election, in the height of the
Carnival,[#] a masked ball was given in the Palace Doria, at which Don
Agostino had arranged a set composed entirely of his own friends. It
was composed in imitation of the old comedies of the Atellanas, upon
which the Punchinello and Harlequinade of all nations has been formed,
and which, being domestic dramas performed in masques by the Roman youth
with an old-fashioned elegance and simplicity, were peculiarly fitted
for performance at a modern masquerade. A primitive and rude form of
pantomime, founded on caricature and burlesque, with a few characters
boldly drawn, has none of the charm of the later comedy, which is a
picture of real life with its variety of character and incident, and
possesses that excellent art of showing men as they are, while
representing them as they seem to be. But, though it fell short of this
higher perfection, the broad farce and few characters of the older form
of comedy are not wanting in much lively and yet serious painting of
human life, which is all the more serious and pathetic from its broad
and unconscious farce. The jester, the knave, the old man, the girl,
the lover,—these types that are eternal and yet never old,—with the
endless complication in which, both on the stage and real life, they are
perpetually involved, are susceptible of infinite application and
interest to the imagination. As the rehearsal progressed Inglesant was
struck and interested with these ideas, and as the night came on there
seemed to him to be in the world nothing but play within play, scene
within scene. Between the most incidental acts of an excited and
boisterous crowd and the most solemn realities of life and death it
seemed to him impossible to distinguish otherwise than in degree; all
appeared part of that strange interlude which, between the Dramas of
Eternity, is performed continually upon the stage of life.
[#] It is generally stated by historians that the election of Cardinal
Chigi took place on April 7th, 1655, and as Easter that year fell on
April 15th, there appears some discrepancy in this part of the
narrative. The reader must decide between these contending authorities.
Public-domain text, read in full here on John Shaqi.
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