John Inglesant: A Romance (Volume 2 of 2)Shorthouse, J. H. (Joseph Henry)
History
John Inglesant: A Romance (Volume 2 of 2)
Shorthouse, J. H. (Joseph Henry)
Great Britain -- History -- Charles I, 1625-1649 -- Fiction; Religious fiction
The Castello di San Georgio, or, as it might more properly have been
called, the "Casa" or Villa di San Georgio, was built upon the summit of
a small conical hill, amid the sloping bases of the Apennines, at a part
of their long range where the summits were low and green. In that
delightful region, the cultivation and richness of the plain is united
to the wildness and beauty of the hills. The heat is tempered in the
shady valleys and under the thick woods. A delicious moisture and soft
haze hangs about these dewy, grassy places, which the sun has power to
warm and gladden, but not to parch. Flowers of every hue cover the
ground beneath the oaks and elms. Nightingales sing in the thickets of
wild rose and clematis, and the groves of laurel and of the long-leaved
olives are crowded with small creatures in the full enjoyment of life
and warmth. Little brooks and rippling streams, half hidden by the
tangled thickets, and turned from their courses by the mossy rocks, flow
down from the hill ravines, as joyful and clear as in that old time when
each was the care of some protecting nymph or rural god. In the waters
of the placid lake are reflected the shadows of the hills and the
tremulous shimmer of waving woods.
In this favoured region, the Villa di San Georgio stood upon its leafy
hill-top, set in the background of the mountains. The steep slope was
terraced here and there in patches of ground planted with fruit-trees,
and at the foot, towards the south, a large lake slept beneath the blue
sky, its shores lined with brushwood, interspersed here and there with
grassy slopes, where the orchis and hyacinth and narcissus sprang up
from the green rich turf.
Through this pastoral land, at all seasons of the year, wandering
shepherds with their flocks, peasants with their cattle and dogs, ladies
and cavaliers from the neighbouring villas, woodmen, vine-dressers,
fishermen from the lake, traversed the leafy stage, and diversified the
scene; but when the grape was fully ripe, and the long year was crowned
at last with the fatness of the vintage, a joyous age of rural wealth
and jollity seemed for a time to fill the mellow, golden-tinted land.
Then, indeed, wandering amid the woods and rocks interspersed with
vineyards and patches of yellow wheat, as you met the loaded wain, or
came upon the wine-press, trodden by laughing girls and boys, you seemed
to understand the stories of the rural wanderings of the gods, for you
met with many a scene to which it might well be fancied that they might
still be allured, as to that garden at the foot of Mount Bermion where
the roses grew. The gracious gods of plenty still filled the luscious
vats; rustling Zephyr still whispered love among the flowers, still came
laden with the ripening odours of the fruit. The little cherub Loves
peeped out from behind oak stems and ruined plinth and sculptured
frieze, half hidden among roots and leaves.
Public-domain text, read in full here on John Shaqi.
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