Inglesant passed up the Church towards the high altar, before which he knelt; and as he did so, a procession, carrying the Sacrament, entered by another door, and advanced to the altar, upon which it was again deposited. The low, melancholy miserere—half entreating, half desponding—spoke to the heart of man a language like its own; and as the theme was taken up by one of the organs, the builder’s art and the musician’s melted into one—in tier after tier of carved imagery, wave after wave of mystic sound. All conscious thought and striving seemed to fade from the heart, and before the altar and amid the swell of sound the soul lost itself, and lay silent and passive on the Eternal Love. Behind the high altar Inglesant found the friar by the grave of the wise King. Upon the slabs of the Gothic tomb, covered with carving and bas-relief, the King is seated and dressed in royal robes; but upon the sarcophagus he lies in death bereft of all his state, and clothed in no garment but a Franciscan’s gown. Beside him lies his son in his royal robes, covered with fleurs-de-lis; and other tombs of the kingly race of Anjou surround him, all emblazoned with coat armour and device of rank. Between the tombs of the two kings stood the friar, his head bowed upon his hands. The light grew every moment less and less bright, and the shadows stretched ever longer and longer across the marble floor. The lamps before the shrines, and the altar tapers in the funeral chapels, shone out clearer and more distinct. The organs had ceased, but the dolorous chanting of the miserere from beyond the high altar still came to them with a remote and wailing tone. Inglesant advanced towards the friar, who appeared to be aware of his presence by instinct, and raised his head as he drew near. He returned no answer to Inglesant’s greeting, but seated himself upon a bench near one of the tombs, and began at once, like a man who has little time to spend. "I am desirous," he said, "of telling you at once of what has occurred to me. Who can tell what may happen at any moment to hinder unless I do? It is a strange and wonderful story, in which you and I and all men would be but puppets in the Divine Hand were not the Divine Love such that we are rather children led onward by their Father’s hand—welcomed home by their Mother’s smile." It was indeed a strange story that the friar told Inglesant in the darkening Church. In places it was incoherent and obscure. The first part of his narrative, as it relates to others besides himself, is told here in a different form, so that, if possible, what really happened might be known. The latter part, being untranslatable into any other language and inexplicable upon any basis of fact, must be told in his own words.