John Inglesant: A Romance (Volume 2 of 2)Shorthouse, J. H. (Joseph Henry)
History
John Inglesant: A Romance (Volume 2 of 2)
Shorthouse, J. H. (Joseph Henry)
Great Britain -- History -- Charles I, 1625-1649 -- Fiction; Religious fiction
The air in these ravines was close and hot, and sulphurous streams
emitted an unpleasant odour as they rode along. Inglesant felt oppressed
and ill. The valley of the Shadow of Death, out of which he had come
into the cool pastures and olive-yards, had left upon the mind an
exaltation of feeling rather than terror; and in the history of the
friar, through the course of which traces of a devised plan penetrated
the confusion of a disordered brain, the gracious prediction of Molinos
seemed to promise fulfilment. The supreme effort of Divine mercy surely
is that which shapes the faltering and unconscious actions of man into a
beneficent and everlasting work.
But the very clearness and calm of this transcendental air produced a
wavering of the spiritual sense; and the companionship of a blind
enthusiast, who, from the lowest depth of reckless sin, had suddenly
attained a height of religious fervour, did not tend to reduce the fever
of his thoughts. The scenes and forms of death with which he had been
familiar in Naples returned again and again before his eyes, and his old
disease again tormented him; so that once more he saw strange figures
and shapes walking by the wayside. These images of a disordered fancy
jostled and confused his spiritual perceptions. He felt wearied by
those thoughts and desires which had formerly been dear to him, and the
ceaseless reiteration of the friar’s enthusiastic conceptions jarred and
irritated him more than he liked to confess. The brain of the blind
man, unoccupied by the sights of this world, was full of visions of a
mystic existence, blended and confused with such incidents and stories
of earth as he had heard along the way. With such phantasmal
imaginations, he filled Inglesant’s ears.
Proceeding in this manner, they came to a place where the ravine,
opening out a little, exposed a distant view of the Campagna, with its
aqueducts and ruined tombs. At the opening of the valley stood one of
those isolated rocks so strange to English eyes, yet so frequently seen
in the paintings of the old masters, crowned with the ruins of a Temple,
and fringed with trees of delicate foliage, poplars and pines. At the
foot of the rock an arch of ruined brickwork, covered with waving grass
and creepers, spanned the road with a wide sweep, and on the opposite
side a black sulphurous pool exhaled a constant vapour. Masses of
strange, nameless masonry, of an antiquity dateless and undefined,
bedded themselves in the rocks, or overhung the clefts of the hills; and
out of a great tomb by the wayside, near the arch, a forest of laurel
forced its way, amid delicate and graceful frieze-work, moss-covered and
stained with age.
Public-domain text, read in full here on John Shaqi.
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