shade was lowered, and on it the unseen lamp perfectly outlined the form
of a third person. Without a mutter or the slightest gesture of passion,
the man under the window raised the thing in his grasp as high as his
shoulder, lowered it again and glanced around. He seemed to tremble. The
man at his back did not move; his gaze, too, was now fastened, with
liveliest manifestations of interest, on the window-shade and the moving
image that darkened it.
As the foremost of the two men began for the third time that mysterious
movement which he had twice left unfinished, the one behind, now clearly
discerning his intention, stole one step forward, and then a second, as
if to spring upon him before he could complete the action. But he was
not quick enough. The black and glistening thing rose once more to the
level of its owner's shoulder, and the next instant on the still night
air quivered the plaintive wail of--a flute.
At mortal risks both conjectured and unconjectured, it was an instrument
of music, not of murder, which Mr. Dinwiddie Pettigrew was aiming
sidewise.
LIII.
SWEETNESS AND LIGHT
Yet the pulse of the man behind him, who did not recognize him, began to
quicken with anger. Almost at the flute's first note the image on the
window-shade started and hearkened. A moment later it expanded to
grotesque proportions, the room swiftly grew dark, and in another minute
the window of a smaller one behind it shone dimly as with the flame of a
lamp turned low. The flutist fluted on. From the melody it appeared that
the musician had at some date not indicated, and under some
unaccountable influence, dreamt that he dwelt in marble halls with
vassals and serfs at his side. The man at his back had come as near as
the darkness would cover him, but there had stopped.
Presently the music ceased, but another sound, sweeter than all music,
kissed, as it were, the serenader's ear. It was the wary lifting of a
window-sash. He ran forward into the narrow shade of the house itself,
and lost to the restraints of reason, carried away on transports of
love, without hope of any reply, whispered, "Daphne!"
And a tender whisper came back--"Wait a minute."
"You'll come down?" he whisperously asked; but the window closed on his
words, the dim light vanished, and all was still.
He was watching, on his left, the batten shutters of the sitting-room,
when a small, unnoticed door near the dark, rear corner of the house
clicked and then faintly creaked. Mr. Pettigrew became one tremolo of
ecstasy. He glided to the spot, not imagining even then that he was to
be granted more than a moment's interview through an inch or two of
opening, when what was his joy to see the door swiftly spread wide
inward by a dim figure that extended her arms in gracious invitation.
"O love!" was all his passion could murmur as they clasped in the
blessed dark, while she, not waiting to hear word or voice, rubbed half
the rice powder and rouge from her lips and cheeks to his and cried,
Public-domain text, read in full here on John Shaqi.
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