"These girls inside the altar-rail, they're the academy chorus. That
one? Oh, that's Halliday's daughter. Yass, beautiful, but you should 'a'
seen her three years ago. No use talkin', seh--I wouldn't say so to a
Yankee, but--ow climate's hard on beauty. Teach in the acad'? Oh! no,
seh, she jus' sings with 'em. Magnificent voice. Some Yankees here last
week allowed they'd ruther hear her than Adelina Patti--in some sawngs.
"She's an awful man-killeh; repo'ted engaged to five fellehs at once,
Jeff-Jack included. I don't know whether it's true or not, but you know
how ow Dixie gyirls ah, seh. An' yet, seh, when they marry, as they all
do, where'll you find mo' devoted wives? This ain't the lan' o'
divo'ces, seh; this is the lan' o' loose engagements an' tight
marriages.
"D' you see that gyirl in the second row of Montroses, soft eyes, sawt
o' deep-down roguish, round, straight neck, head set so nice on it?
That's Gyarnet's daughteh. That gyirl's not as old as she looks, by
three years."
He ceased. The chorus under the high pulpit stood up, sang, and sat
again. Parson Tombs, above them, rose with extended arms, and the
services had begun. The chorus stood again, and the church choir faced
them from the gallery and sang with them antiphonally, to the spiritual
discomfort of many who counted it the latest agony of modernness. In the
long prayer the diversity of sects and fashions showed forth; but a
majority tried hard not to resent any posture different from their own,
although Miss Martha Salter and many others who buried their faces in
their own seats, knew that Mr. Ravenel's eyes were counting the cracks
in the plastering.
Barbara knelt forward--the Montrose mode. She heard Parson Tombs confess
the Job-like loathsomeness of everyone present; but his long-familiar,
chanting monotones fainted and died in the portals of her ears like a
nurse's song, while her sinking eyelids shut not out, but in, one
tallish Rosemont senior who had risen in prayer visibly heavy with the
sleep he had robbed from three successive nights. The chirp of a lone
cricket somewhere under the floor led her forth in a half dream beyond
the town and the gleaming turnpike, across wide fields whose
multitudinous, tiny life rasped and buzzed under the vibrant heat; and
so on to Rosemont, dear Rosemont, and the rose mother there.
Her fan stops. An unearthly sweetness, an unconditioned bliss, a
heavenly disembodiment too perfect for ecstasy, an oblivion surcharged
with light, a blessed rarefaction of self that fills the house, the air,
the sky, and ascends full of sweet odors and soothing sounds, wafts her
up on the cadenced lullaby of the long, long prayer. Is it finished? No.
Public-domain text, read in full here on John Shaqi.
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