John Vytal: A Tale of the Lost ColonyPayson, William Farquhar
History
John Vytal: A Tale of the Lost Colony
Payson, William Farquhar
Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
Again the Indian advanced, and now turned toward them. Seeing his face,
the two women rose to their feet behind the wall of briars. “Manteo!”
* * * * *
An hour later the cressets of the fortress armory cast their glare across
many grave and apprehensive faces whose concern was heightened by an
enforced silence.
“Say nothing of Mistress Dare; he will consider it his duty to go in
search of her, and must not.” The words were Marlowe’s.
Out in the hallway, Governor White, pale and haggard, was giving orders
to a small company of soldiers, who, though worn out with fatigue, were
re-arming themselves as though for a second combat. “To the south! O my
good men, hasten! We must pursue. Even now, perchance, we are too late.
But stay … Who comes? … No … there is no need … Ah, my daughter Eleanor,
you are here!”
Thus, at the very moment of the governor’s out-starting, which, to his
despair, had been so long delayed by the battle, Eleanor returned.
“My father!” Her eyes were moist with tears, her hands caressed him, but
even now she could not wait. The armory’s door stood open. “Virginia,
little Virginia,” she said in the old, half-mechanical way, yet still
very anxiously.
“She is asleep and well.”
“And—” But she could not voice the question of her heart.
The governor smiled in his kindly, unknowing way. “Yes; Ananias, too, is
safe. Yet a terrible battle hath been fought.”
She stood for an instant mute and motionless, the dread anguish of
uncertainty in her eyes. Then she hurried into the armory.
Here the first sight that met her searching glance was her child
sleeping in Margery Harvie’s arms. She bent over and kissed it on the
forehead—once; then turned to a group of men who stood in a corner
encircling a central, recumbent figure that was resting on a bare settle
of oak.
A low moan rose in her heart, and whether or not it escaped her lips she
never knew.
On the settle lay John Vytal, prostrate and unconscious, his left arm
extended to the floor, to which his half-sheathed sword had fallen, the
belt having been unbuckled that his corselet might be unloosed. His
fingers tenaciously grasped the scabbard. The right hand lay across his
breast, which had been bared that a chirurgeon, who stood near by, might
listen to the heart-beats. Under the head of the wounded man a folded
cloak had been placed as a pillow, and his morion, having been removed,
revealed a great black and gray flecked mane of hair, brushed back to
cool his forehead. The brow itself, streaked with crimson, showed a deep
line from temple to temple where the helmet had cut into it. The face,
as though chiselled in bronze, was still stern and relentless save for a
grim, triumphant look of victory that shone in the sharp features like
the cresset-light across his sword.
Marlowe stood erect, watching him, until suddenly a voice, inarticulate,
low, and questioning, seemed to break the spell that bound them all to
the depths of anxious silence.
Public-domain text, read in full here on John Shaqi.
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