John Vytal: A Tale of the Lost ColonyPayson, William Farquhar
History
John Vytal: A Tale of the Lost Colony
Payson, William Farquhar
Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
“I’ faith, ’tis a murky night,” said Marlowe, striving to determine the
outlines of trees against the sky. “This wind’s a very nightmare to the
woods.” He turned slowly and sat down at the table. “’Tis well that most
of the colonists have built and occupied their homes. Troth, I pity them
who sleep aboard the ships at anchor.”
Vytal inclined his head, and Christopher smiled comprehendingly. Eleanor,
at least, was safe and unharassed—hence Vytal’s unconcern. Mistress
Dare, of whom lately they had seen nothing, was housed in the governor’s
new-built dwelling, beyond the strip of woodland whose high outline
Marlowe had just found indeterminate between this cabin and the town.
But Gyll Croyden was still on board the _Admiral_. Marlowe remembered
this, and his thoughts pictured vividly the two women in contrast—one,
as he supposed, all content and comfort; the other at the mercy of every
wind and wave that crossed her life.
Listlessly he toyed with a sheet of paper on the table, and, picking up a
pen, dipped it in an ink-horn at his side.
“_Comparisons are odious_,” he wrote, slowly, little dreaming that
the words, born of that fleeting contrast in his mind, were to become
proverbial the world over. But, on raising his eyes to Vytal’s face, he
found in the deep expression none of the odiousness of comparison, for in
his friend’s thoughts there was only one woman to be considered.
Again the poet smiled, as one who half gladly, yet half sadly,
understands, and once more his reflections shaped themselves in words.
He wrote, carelessly, “_Who ever lov’d that lov’d not at first sight?_”
and, letting fall the pen, handed the paper to Vytal. The soldier read
and re-read, but made no response whatever, for, even as his eyes were
raised from the writing, his look changed suddenly, and Marlowe, with
astonishment, saw him gazing transfixedly toward the battered door.
As a dream comes in the night-time to recall the thoughts of day, so a
face, seemingly visionary, appeared now to the two men. The jagged edge
of the door’s orifice framed it uncertainly, but the cresset’s light fell
across the features in vivid revelation.
Vytal’s lips parted as though he would have spoken, but it was Marlowe
who voiced the name.
“Eleanor—Mistress Dare!”
And now slowly, yet before the two could recover from amaze, the door was
opened, and, like a white dove from the heart of the gale, Eleanor came
within the cabin.
Public-domain text, read in full here on John Shaqi.
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