John Vytal: A Tale of the Lost ColonyPayson, William Farquhar
History
John Vytal: A Tale of the Lost Colony
Payson, William Farquhar
Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
Throughout the whole morning small parties, thus discussing the subject,
sought to gain a view of the man who filled their thoughts. Inquisitively
they came and, looking in at the doorway of the cabin, surveyed the
youth, who sat just across the threshold, mumbling to himself and bowing
to them with a pitiable smile of welcome. Then, silently, they would
return to their various labors, awe-struck and uneasy.
But at mid-day there was a larger gathering at Vytal’s door. Ralph
Contempt stood in the centre of the circle, describing rapidly his
misadventures with a new grasp of detail and some continuity of incident.
His mental powers had evidently been refreshed by sleep and sustenance;
his memory now offered a more vivid and coherent depiction of the fight,
bondage, and escape. His listeners, men and women, stood enthralled and
terrified, the cold fingers of fear insidiously touching their nerves
and heart-strings to play the shivering discord of alarm. Perhaps no
instrument was more perfectly attuned to the notes of apprehension
than the heart of Ananias Dare. He stood near the speaker, with an
ill-disguised attempt to suppress the terror that, like an east wind,
froze his marrow with an actual chill. He was entirely sober, and,
therefore, completely unmanned. His face, pallid and tense, was yet
beautiful, its terror strangely heightening the effect of beauty as
though by a magic but despicable art. For the expression, emasculated by
fright, was remembered long after by those who had read the reflection
of its fear in their own hearts. The shallowest eye can express the
deepest apprehension; the nature devoid of capacity for all other intense
emotion, may yet be keenly and desperately subject to the power of fear.
The study of cowardice reveals peculiar inconsistencies. For instance,
here stood Ananias, a man of insignificant psychal stature, surpassing
all his fellows in the height of his alarm. His eyes, often but vague
films beneath the fumes of wine, were now clarified and made brilliant by
the horror of their gaze.
And here, too, listening to the narrative of Ralph Contempt, stood Simon
Ferdinando, a coward of another sort, with eyes more furtive and less
intense, who seemed already to consider the question of escape, while the
other only remained paralyzed by the menace of a danger that might at any
time repeat itself. But Dare bore unmistakable traces even now of gentle
birth and a lost manhood, whereas Ferdinando appeared not unlike a
frightened rat looking for its hole. The one inspired contempt and pity,
the other contempt alone.
Public-domain text, read in full here on John Shaqi.
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