"Helen Whitney has often talked to me about you, Mr. Todhetley. I little thought I should ever make your acquaintance; still less, be staying in your father's house." "And I as little dreamt of the good fortune that was in store for me," answered Tod. He was a tall, fine young fellow then, rising twenty, looking older than his age; she (as she looked to-night) a delicate, beautiful fairy, of any teens fancy might please to picture. As Tod stood over her, his manner took a gentle air, his eyes a shy light--quite unusual with him. She did not look up, except by a modest glance now and again, dropping her eyes when they met his own. He had the chance to take his fill of gazing, and used it. * * * * * Tod was caught. From the very first night that his eyes fell on Sophie Chalk, his heart went out to her. Anna Whitney! What child's play had the joking about her been to this! Anna might have been his sister, for all the regard he had for her of a certain sort; and he knew it now. A looker-on sees more than a player, and I did not like one thing--she drew him on to love her. If ever a girl spread a net to entangle a man's feet, that girl was Sophie Chalk. She went about it artistically, too; in the sweetest, most natural way imaginable; and Tod did not see or suspect an atom of it. No fellow in a similar case ever does. If their heart's not engaged, their vanity is; and it utterly blinds them. I said a word or two to him, and was nearly knocked over for my pains. At the end of the fortnight--and she was with us nearly that length of time--Tod's heart had made its choice for weal or for woe. She took care that it should be so; she did, though he cut my head off now for saying it. You shall judge. She began on that first night when she came down in her glistening silk, with the silver on her neck and hair. In the drawing-room, after dinner, she sat by him on the sofa, talking in a low voice, her face turned to him, lifting her eyes and dropping them again. My belief is, she must have been to a school where they taught eye-play. Tod thought it was sweet, natural, shy modesty. I thought it was all artistic. Mrs. Todhetley was called from the room on domestic matters; the Squire, gone to sleep in his dinner-chair, had not come in. After tea, when all were present, she went to the piano, which no one ever opened but me, and played and sang, keeping Tod by her side to turn the music, and to talk to her at available moments. In point of execution, her singing was perfect, but the voice was rather harsh--not a note of real melody in it.