England -- Social life and customs -- 19th century -- Fiction; Short stories, English
They had gone through the snow to evening service at North Crabb, the
Squire, Mrs. Todhetley, and Tod, leaving me at home with one of my
splitting headaches. Thomas had come in to ask if I would have the lamp,
but I told him I would rather be without it. So there I sat on alone,
beside the fire, listening to Hannah putting the children to bed
upstairs, and looking sleepily out at the snowy landscape.
As the fire became dim, sending the room into gloom, the light outside
grew stronger. The moon was high; clear and bright as crystal; what with
that, and the perfectly white snow that lay on everything, the night
seemed nearly as light as day. The grass plat outside was a smooth white
plain, the clustering shrubs beyond it being also white.
I knew the fire wanted replenishing: I knew that if I sat on much
longer, I should fall asleep; but sit on I did, letting the fire go, too
listless to move. My eyes were fixed dreamily on the plain of snow, with
the still moonlight lying across it. The room grew darker, the landscape
lighter.
And asleep, in another minute, I should inevitably have been, but for a
circumstance that suddenly arose. All in a moment--I saw not how or
whence it came--a dark figure appeared on the grass plat, close before
the bank of shrubs, right in front of me; the figure of a man, wrapped
in a big great-coat. He was standing still and gazing fixedly at the
house. Gazing, as it seemed (though that was impossible) at _me_. I was
wide awake at once, and sitting bolt upright in the chair.
Yes, there could be no mistake; and it was no delusion. The man appeared
to be a tall man, strong and muscular, with a mass of hair on his face.
What could he want? Was it a robber reconnoitring the premises; peering
and peeping to ascertain whether all the world was at church, before he
broke in to rifle the house?
No one, void of such an experience, can imagine how dark he looked
standing there, amidst the whiteness of all the scene around. In one
sense, he stood out plainer than he could have done by daylight, because
the contrast was greater. But this sort of light did not show his
features, which were shrouded in obscurity.
Presently he moved. Looking to right and left, he took a step forward.
Evidently he was trying to see whether the parlour where I sat was empty
or occupied. Should I go out to him? Or should I fling up the window and
ask what he wanted? I was not frightened: don't let any one think that:
but watching him brought rather a creepy kind of sensation.
And, just then, as I left the chair quietly to open the window, I heard
the catch of the garden-gate, and some one came whistling up the path.
The man vanished as if by magic. Whilst I looked, he was gone. It seemed
to me that I did not take my eyes off him; but where he went to, or what
became of him, I knew not.
"Anybody at home?" called out Tom Coney, as he broke off his whistling
and opened the hall-door.
"All right, Tom. Come along."
Public-domain text, read in full here on John Shaqi.
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