England -- Social life and customs -- 19th century -- Fiction; Short stories, English
"Catch me at it," cried Tod. "You can do as you please, Johnny: I shall
go to the course on foot."
"I will also," I said--though you, naturally, understand that I had
never expected to sit elsewhere than behind. And I knew it would be
easier for me to lose Tod in the crowd, and so get away to keep the
appointment, than it would have been to elude the Squire's questioning
as to why I could want to leave the carriage.
Lunch over, Tod said he would go to the Bell, to see whether the
Letstoms had come in; and we started off. No; the waiter had seen
nothing of them. Onwards, down Broad Street we went, took the Quay,
and so got on that way to Pitchcroft--as the racecourse is called. The
booths and shows were at this end, and the chief part of the crowd.
Before us lay stretched the long expanse of the course, green and level
as a bowling-green. The grand-stand (comparatively speaking a new
erection there) lay on the left, higher up, the winning-chair and
distance-post facing it. Behind the stand, flanking all that side of
Pitchcroft, the beautiful river Severn flowed along between its green
banks, the houses of Henwick, opposite, looking down upon it from their
great height, over their sloping gardens. It was a hot day, the blue sky
dark and cloudless.
"True and correct card of all the running horses, gentlemen: the names,
weights, and colours o' the riders!" The words, echoing on all sides
from the men who held these cards for sale, are repeated in my brain
now; as are other sounds and sights. I was somewhat older then than I
had been; but it was not very long since those shows, ranged round there
side by side, a long line of them, held the greatest attraction for me
in life. "Guy Mannering," the past night, had been very nice to see,
very enjoyable; but it possessed not the nameless charm of that first
"play" I went to in Scowton's Show on the racecourse. _That_ charm could
never come again. And I was but a lad yet.
The lightning with which the play opened had been real lightning to me;
the thunder, real thunder. The gentleman who stood, when the curtain
rose, gorgeously attired in a scarlet doublet slashed with gold
(something between a king and a bandit), with uplifted face of terror
and drawn sword, calling the war of the elements "tremendious," was to
me a greater potentate than the world could almost contain! The young
lady, his daughter, in ringlets and spangles, who came flying on in the
midst of the storm, and fell at his feet, with upraised arms and a
piteous appeal, "Alas! my father, and will you not consent to my
marriage with Alphonso?" seemed more lovely to me than the Sultanas
in the "Arabian Nights," or the Princesses in Fairyland. I sat there
entranced and speechless. A new world had opened to me--a world of
delight. For weeks and weeks afterwards, that play, with its wondrous
beauties, its shifting scenes, was present to me sleeping and waking.
Public-domain text, read in full here on John Shaqi.
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