England -- Social life and customs -- 19th century -- Fiction; Short stories, English
There's not much to relate of that evening: I hardly know why I allude
to it at all--only that these painful records sometimes bring a sad sort
of soothing to the weary heart, causing it to look forward to that other
life where will be no sorrow and no parting.
Tod came in after tea. He and Coney kept the girls alive, if one might
judge by the laughter that echoed from the other room. Tea remained on
the table for anyone else who might arrive, but Mrs. Jacob Chandler had
turned from it to put her feet on the fender. She kept me by her, asking
about a slight accident which had happened to one of our servants.
Valentine and Jane were standing at the doors of the open window in
silence, as if they wanted to take in a view of the garden. And that
state of things continued, as it seemed to me, for a good half-hour.
It was a wild night, but very warm for November. White clouds scudded
across the face of the sky; moonlight streamed into the room. The fire
was low, and the green shade had been placed over the lamp, so that
there seemed to be no light but that of the moon.
"Won't you sing a song for the last time, Valentine?" I heard Jane ask
him with half a sob.
"Not to-night; I'm not equal to it. But, yes, I will; one song," he
added, turning round. "Night and day that one song has been ever
haunting me, Jane."
He was sitting down to the piano when Mrs. Cramp came in. She said she
would go up to take her bonnet off, and Mrs. Chandler went with her.
This left me alone at the fire. I should have made a start for the next
room where the laughing was, but that I did not like to disturb the song
then begun. Jane stood listening just outside the open window, her hands
covering her bent face.
Whether the circumstances and surroundings made an undue impression on
me, I know not, but the song struck me as being the most plaintive one
I had ever heard and singularly appropriate to that present hour. The
singer was departing beyond seas, leaving one he loved hopelessly behind
him.
"Remember me, though rolling ocean place its bounds 'twixt thee
and me,
Remember me with fond emotion, and believe I'll think of thee."
So it began; and I wish I could recollect how it went on, but I can't;
only a line here and there. I think it was set to the tune of Weber's
Last Waltz, but I'm not sure. There came a line, "My lingering look from
thine will sever only with an aching heart;" there came another bit
towards the end: "But fail not to remember me."
Nothing in themselves, you will say, these lines; their charm lay in the
singing. To listen to their mournful pathos brought with it a strange
intensity of pain. Valentine sang them as very few can sing. That his
heart was aching, aching with a bitterness which can never be pictured
except by those who have felt it; that Jane's heart was aching as she
listened, was all too evident. You could feel the anguish of their
souls. It was in truth a ballad singularly applicable to the time and
place.
Public-domain text, read in full here on John Shaqi.
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