England -- Social life and customs -- 19th century -- Fiction; Short stories, English
Little sleep did I get that night, or, rather, morning, for the small
hours had struck when we went to bed. The association of ideas is a
great thing in this world; a help in many an emergency. This association
led me from Fabian Pell to his sisters: and the mysterious memory of
Madame St. Vincent that had so puzzled my mind cleared itself up. As
though a veil had been withdrawn from my eyes, leaving the recollection
unclouded and distinct, I saw she was one of those sisters: the eldest
of them, Martha Jane. And, let not the reader call me a muff, as Tod
again did later, for not having found her out before. When I knew her
she was an angular, raw-boned girl, with rather a haggard and very pale
face, and nothing to say for herself. Now she was a filled-out woman,
her face round, her colour healthy, and one of the most self-possessed
talkers I ever listened to. In the old days her hair was reddish
and fell in curls: now it was dark, and worn in braids and plaits
fashionably incomprehensible. Whether the intervening years had
darkened the hair, or whether madame cunningly dyed it, must remain
a question.
Dan Jenkins and his brother were right. They no doubt had seen looks of
anxious interest given to Madame St. Vincent by Captain Collinson. Not
as a lover, however; they were mistaken there; but as a brother who was
living in a state of peril, and whom she was doubtless protecting and
trying to aid. But how far had her aid gone? That she kept up the
ball, as to his being Captain Collinson, the rich, honourable, and
well-connected Indian officer, went without saying, as the French have
it; and no one could expect her to proclaim him as Fabian Pell, the
swindler; but had she been helping him in his schemes upon Mina? As to
her display of formal coolness to him, it must have been put on to
mislead the public.
And what was I to do? Must I quietly bury my discovery within me and say
nothing? or must I tell Dr. Knox that Madame St. Vincent was no other
than Martha Jane Pell? What _ought_ I to do? It was that question that
kept me awake. Never liking to do harm where I could not do good, I
asked myself whether I had any right to ruin her. It might be that she
was not able to help herself; that she had done no worse than keep
Fabian's secret: it might be that she had wanted him gone just as much
as Dan Jenkins had wanted it.
"I'll tell Tod in the morning," was my final conclusion, "and hear what
he thinks."
When I got downstairs they were beginning breakfast, and Miss Cattledon
was turning from the table to carry up Mina's tea. Mina remained in the
depths of tears and contrition, and Cattledon had graciously told her
she might lie in bed. Breakfast was taken very late that morning, the
result of the previous night's disturbance, and the clock was striking
ten when we rose from it.
"Tod, I want to speak to you," I said in his ear. "I want to tell you
something."
"All right, lad. Tell away."
Public-domain text, read in full here on John Shaqi.
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