Johnny Nelson: How a one-time pupil of Hopalong Cassidy of the famous Bar-20 ranch in the Pecos Valley performed an act of knight-errantry and what came of itMulford, Clarence Edward
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Johnny Nelson: How a one-time pupil of Hopalong Cassidy of the famous Bar-20 ranch in the Pecos Valley performed an act of knight-errantry and what came of it
Mulford, Clarence Edward
Cowboys -- Fiction; Ranch life -- Fiction; Western stories
The few buildings in Gunsight appeared as though a curtain were slowly
rising and finally stood revealed in their entirety. The sun rose and
threw soft, delicate shadows from the bases of all standing objects,
too weak to mark their patterns far, melting into oblivion. A door
slammed, sounding irreverent and out of place, and from the hotel
chimney curled a timid wisp of smoke, this way and that, finally
climbing straight up and losing its identity against the gray-blue of
the sky, while its supporting column twisted and turned and danced as
it hurried to self-effacement. Dailey's chimney sent up a skirmishing
film, which died out; and then, as if in stalwart support of the
fainting advance, there came a darker, thicker column, telling all
who cared to read that Dailey put his trust in kerosene. The hotel
door opened, causing a quick movement of Big Tom's rifle, and George,
sleepy and unpleasant in looks and disposition, glanced idly around and
went back again. From far off in the west the quavering, long-drawn
wail of a coyote, mercifully tempered by distance, arose to greet the
rising sun. Birds sang with delirious abandon and the soft noises in
grass and sand and brush told of a waking world. In the vague grayness
of the hotel, framed by the open door, something moved, steadily
growing plainer and soon took the form of a towel in the hands of
George, who drove winged pests before him and, with a final, frenzied
waving, took hold of the door and slammed it shut. As it closed Big
Tom relaxed, eased his hold on the rifle and reached back to remove
a stone which was beginning to assert its presence under him to his
growing discomfort. Turning his head, he looked back, and froze, his
groping fingers rigid. Ten feet behind him and to his right was the
black muzzle of a heavy rifle, and behind that a pair of gray-blue eyes
regarded him malevolently through narrow slits in the bronzed face.
For a tense, appreciable interval eyes looked into eyes, and then the
foreman squirmed.
"Don't move, only as I tell you, an' slow," said Johnny's clear, low
voice. "I got you just th' way I want you--ambushin'! Don't touch that
gun, an' don't make no noise. First, put yore hands up even with yore
armpits, palms down, on th' ground. Now inch back, away from that gun.
Keep on--more--more--all right--stop! Slide 'em forward, straight out
ahead of you, an' then lay still. You can admire Fannin's front door,
an' imagine me in it, careless an' easy prey for a pot-shooter, if
it'll do you any good. Don't look around till I tell you to, an' don't
make a sound, blast you!"
Not being able to do anything else, Big Tom obeyed and soon felt his
Colt leave its holster. A hand felt up under his coat, to see if
the back-strap of his trousers held a gun. Being right-handed, the
foreman would hardly choose to carry a six-gun there under ordinary
circumstances, but this situation was not in that category. The
back-strap was guiltless.
Public-domain text, read in full here on John Shaqi.
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