The buzz of woodland life has ceased; unfathomable silence seems to
dwell in these rocky hills and valleys. But suddenly a sharp
shrill note sounds upon the air. It is a bird's note, but no mate's
voice replies. It is like himself; solitary in the midst of this
ungracious scene, which frowningly proclaims, "Love finds here no
dwelling-place." Again the note sounds, and as he makes his way toward
it, curious to see what kind of bird haunts so desolate a place, he
hears a faint echo answer--a voice with no soul in it, he thinks in
his then melancholy mood. He comes to the opening of a small cave, the
walls of which assume fantastic shapes in the dim light. And there,
uttering its wail, to which only mocking echoes make response, he sees
the Solitary Warbler standing alone in the centre of the cave, like
the Cain of its race. He sighs and walks on--over the rocky range,
into woodland again, where the ground dips, and where the rich soil is
teeming with new wonders; and coming to a great pool, he sits down by
its side. He has been to this spot before. Chancing upon it by
accident in one of his rambles, he was attracted by its beauty, and by
the singular effect of the shifting shadows upon the bosom of the
pool, whose surface is almost covered by lovely pink-and-white
water-lilies. He looks now into the water, and sees his haggard face
reflected between the beautifully-colored lilies. And singularly
enough he sees at the same time, with the eyes of his mind, the
picture of Minnie as she stood before him, with eyes downcast and the
flowers in her hair. It is because he was disturbed by thought of her
that he left his work. He knows her secret but too well. She loves him
with all her soul. She tells it in every look, in every word; every
little act of hers towards him is imbued with dangerous tenderness,
and yet she is unconscious of wrong. Every day she grows more
devoted--every day grows more beautiful. And it is a part of his great
misery to feel that her society gives him pleasure as well as pain. He
is storm-tossed by a conflict of feeling. In this conflict no
miserable vanity finds place, although it might be well excused in
most men in such a position; nor is he by a thought false to Ellen.
But Minnie is dependent upon him, lives upon his kindness, asks
nothing from him but gentle speech. Shall he deny her this? Shall he
be false to his nature, and be harsh where harshness would be
brutality? He is strong; she is weak. Her power is in her weakness;
his weakness is in his strength. She leans upon him for support, and
rules by submission.
Public-domain text, read in full here on John Shaqi.
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