It is generally admitted that some of you are poor, find it hard to get a living, haven't always something in your pockets, haven't paid for all the dinners you've actually eaten, or all your coats and shoes, some of which are already worn out. All this is very well known to all by hearsay and by experience. It is very evident what a mean and sneaking life you live, always in the hampers, always on the limits, trying to get into business and trying to get out of debt, a very ancient slough, called by the Latins _aes alienum_, another's brass,—some of their coins being made of brass,—and still so many living and dying and buried to-day by another's brass; always promising to pay, promising to pay, with interest, to-morrow perhaps, and die to-day, insolvent; seeking to curry favor, to get custom, lying, flattering, voting, contracting yourselves into a nutshell of civility or dilating into a world of thin and vaporous generosity, that you may persuade your neighbor to let you make his [shoes, or his hat, or his coat, or his carriage, etc.].[433] * * * * * There is a civilization going on among brutes as well as men. Foxes are forest dogs. I hear one barking raggedly, wildly, demoniacally in the darkness to-night, seeking expression, laboring with some anxiety, striving to be a dog outright that he may carelessly run in the street, struggling for light. He is but a faint man, before pygmies; an imperfect, burrowing man. He has come up near to my window, attracted by the light, and barked a vulpine curse at me, then retreated.[434] * * * * * Reading suggested by Hallam's History of Literature. 1. "Abelard and Heloise." 2. Look at Luigi Pulci. His "Morgante Maggiore," published in 1481, "was to the poetical romances of chivalry what Don Quixote was to their brethren in prose." 3. Leonardo da Vinci. The most remarkable of his writings still in manuscript. For his universality of genius, "the first name of the fifteenth century." 4. Read Boiardo's "Orlando Innamorato," published between 1491 and 1500, for its influence on Ariosto and its intrinsic merits. Its sounding names repeated by Milton in "Paradise Regained." * * * * * Landor's works are:— A small volume of poems, 1793, out of print. Poems of "Gebir," "Chrysaor," the "Phoceans," etc. The "Gebir" eulogized by Southey and Coleridge. Wrote verses in Italian and Latin. The dramas "Andrea of Hungary," "Giovanna of Naples," and "Fra Rupert." "Pericles and Aspasia." "Poems from the Arabic and Persian," 1800, pretending to be translations. "A Satire upon Satirists, and Admonition to Detractors," printed 1836, not published. Letters called "High and Low Life in Italy." "Imaginary Conversations." "Pentameron and Pentalogia." "Examination of William Shakspeare before Sir Thomas Lucy, Knt., touching Deer-stealing." * * * * *