Men sometimes do as if they could eject themselves like bits of pack-thread from the end of the tongue. * * * * * Scholars have for the most part a diseased way of looking at the world. They mean by it a few cities and unfortunate assemblies of men and women, who might all be concealed in the grass of the prairies. They describe this world as old or new, healthy or diseased, according to the state of their libraries,—a little dust more or less on their shelves. When I go abroad from under this shingle or slate roof, I find several things which they have not considered. Their conclusions seem imperfect. * * * * * As with two eyes we see and with two ears we hear, with the like advantage is man added to man. Making no complaint, offering no encouragement, one human being is made aware of the neighboring and contemporaneous existence of another. Such is the tenderness of friendship. We never recognize each other as finite and imperfect beings, but with a smile and as strangers. My intercourse with men is governed by the same laws with my intercourse with nature. * * * * * Buonaparte said that the three-o'clock-in-the-morning courage was the rarest, but I cannot agree with him.[499] Fear does not awake so early. Few men are so degenerate as to balk nature by not beginning the day well. * * * * * I hold in my hands a recent volume of essays and poems, in its outward aspect like the thousands which the press sends forth, and, if the gods permitted their own inspiration to be breathed in vain, this might be forgotten in the mass, but the accents of truth are as sure to be heard on earth as in heaven. The more I read it the more I am impressed by its sincerity, its depth and grandeur. It already seems ancient and has lost the traces of its modern birth. It is an evidence of many virtues in the writer. More serenely and humbly confident, this man has listened to the inspiration which all may hear, and with greater fidelity reported it. It is therefore a true prophecy, and shall at length come to pass. It has the grandeur of the Greek tragedy, or rather its Hebrew original, yet it is not necessarily referred to any form of faith. The slumbering, heavy depth of its sentences is perhaps without recent parallel. It lies like the sward in its native pasture, where its roots are never disturbed, and not spread over a sandy embankment. On fields o'er which the reaper's hand has passed, Lit by the harvest moon and autumn sun, My thoughts like stubble floating in the wind And of such fineness as October airs, There, after harvest, could I glean my life, A richer harvest reaping without toil, And weaving gorgeous fancies at my will, In subtler webs than finest summer haze.