No pains are spared to do honor to the brave soldier. All guilds and corporations are taxed to provide him with fit harness and equipment. His coat must be red as the sunset, or blue as the heavens. Gold or silver, pinchbeck or copper, solid or superficial, mark him for fortune's favorite. The skill of a city enchases and tempers his sword-blade; the Tyrian dye confounds him with emperors and kings. Wherever he goes, music precedes and prepares the way for him. His life is a holiday, and the contagion of his example unhinges the universe. The world puts by work and comes out to stare. He is the one only man. He recognizes no time-honored casts and conventions, no fixtures but transfixtures, no governments at length settled on a permanent basis. One tap of the drum sets the political and moral harmonies all ajar. His ethics may well bear comparison with the priest's. He may rally, charge, retreat in an orderly manner, but never flee nor flinch.[87] Each more melodious note I hear Brings sad reproach to me, That I alone afford the ear, Who would the music be.[88] The brave man is the sole patron of music;[89] he recognizes it for his mother-tongue,—a more mellifluous and articulate language than words, in comparison with which speech is recent and temporary. It is his voice. His language must have the same majestic movement and cadence that philosophy assigns to the heavenly bodies. The steady flux of his thought constitutes time in music. The universe falls in and keeps pace with it, which before proceeded singly and discordant. Hence are poetry and song. When Bravery first grew afraid and went to war, it took music along with it. The soul delighted still to hear the echo of its own voice. Especially the soldier insists on agreement and harmony always. Indeed, it is that friendship there is in war that makes it chivalrous and heroic. It was the dim sentiment of a noble friendship for the purest soul the world has seen, that gave to Europe a crusading era.[90] * * * * * The day of tilts and tournaments has gone by, but no herald summons us to the tournament of love. * * * * * The brave warrior must have harmony if not melody at any sacrifice. Consider what shifts he makes. There are the bagpipe, the gong, the trumpet, the drum,—either the primitive central African or Indian, or the brass European. Ever since Jericho fell down before a blast of rams' horns, the martial and musical have gone hand in hand. If the soldier marches to the sack of a town, he must be preceded by drum and trumpet, which shall as it were identify his cause with the accordant universe. All woods and walls echo back his own spirit, and the hostile territory is then preoccupied for him. He is no longer insulated, but infinitely related and familiar. The roll-call musters for him all the forces of nature.[91] * * * * *